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    <loc>https://www.projectawe.org/blog</loc>
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    <lastmod>2025-01-19</lastmod>
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    <loc>https://www.projectawe.org/blog/ny-phil-bach-darkness-to-light</loc>
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    <lastmod>2025-01-19</lastmod>
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      <image:title>Blog - Bach: From Darkness to Light — Experiencing Classical Music in a Sacred Space - Make it stand out</image:title>
      <image:caption>Talise Trevigne, soprano, under the baton of Nathalie Stutzmann with the New York Philharmonic at the Cathedral of St. John the Divine.</image:caption>
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      <image:title>Blog - Bach: From Darkness to Light — Experiencing Classical Music in a Sacred Space - Make it stand out</image:title>
      <image:caption>Albrecht Dürer, The Seven Angels with the Trumpets, from "The Apocalypse" (detail), 1511, the Metropolitan Museum of Art.</image:caption>
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  <url>
    <loc>https://www.projectawe.org/blog/2020/11/5/albrecht-drer-symbolism-and-science-of-the-heart-of-the-virgin</loc>
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    <lastmod>2020-11-07</lastmod>
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      <image:title>Blog - Albrecht Dürer: Symbolism and Science of the Heart of the Virgin</image:title>
      <image:caption>Image 1: Albrecht Dürer, Virgin and Child with Saint Anne, oil on panel, 60 cm (23.6 in) x 49.8 cm (19.6 in), circa 1519, The Metropolitan Museum of Art, New York.</image:caption>
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      <image:title>Blog - Albrecht Dürer: Symbolism and Science of the Heart of the Virgin</image:title>
      <image:caption>Image 2: Leonardo da Vinci, Madonna and Saint Anne, oil on wood, 168 cm × 112 cm (66 in × 44 in), c. 1503, Louvre Museum, Paris.</image:caption>
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    <image:image>
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      <image:title>Blog - Albrecht Dürer: Symbolism and Science of the Heart of the Virgin</image:title>
      <image:caption>Image 3: Miguel Ballejo y Mandirano, Detail of Heart of Mary, oil on canvas, 30 in x 22 in., c. 1750, The Bowers Museum, Santa Anna, Donated by Mr. Gene R. Wood.</image:caption>
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    <image:image>
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      <image:title>Blog - Albrecht Dürer: Symbolism and Science of the Heart of the Virgin</image:title>
      <image:caption>Image 4: Leopold Kupelwieser, Immaculate Heart of Mary, 19th century, oil, 30 in x 22 in., c. 1750, Peterskirche, Vienna.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1604623843109-XLAO0WCJMZROFHY2OD6U/human-heart-1068x1026.jpg</image:loc>
      <image:title>Blog - Albrecht Dürer: Symbolism and Science of the Heart of the Virgin</image:title>
      <image:caption>Image 5: Leonardo da Vinci, drawing of the heart and its blood vessels, anatomical notebooks, Biblioteca Ambrosiana, Milan.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1604624563207-A7K6AVT7D10RVFRC7SAB/durer+skeleton.jpg</image:loc>
      <image:title>Blog - Albrecht Dürer: Symbolism and Science of the Heart of the Virgin</image:title>
      <image:caption>Image 6: Albrecht Dürer, Death riding, Charcoal drawing, 1505, British Museum, London.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1604623983176-UKQVPBPYJ3DIQVEQPZIT/Albrecht_D%C3%BCrer_-_The_First_Knot_%28with_a_heart-shaped_shield%29_%28NGA_1943.3.3600%29.jpg</image:loc>
      <image:title>Blog - Albrecht Dürer: Symbolism and Science of the Heart of the Virgin</image:title>
      <image:caption>Image 7: Albrecht Dürer, The First Knot (with a heart-shaped shield), after Leonardo da Vinci design, woodcut, 27 cm x 21 cm (10.6 in x 8.2 in), c. 1506, National Gallery of Art, Washington.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Albrecht Dürer: Symbolism and Science of the Heart of the Virgin</image:title>
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  <url>
    <loc>https://www.projectawe.org/blog/2019/4/17/the-lost-rites-of-freemasonry-6mysm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-06</lastmod>
    <image:image>
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      <image:title>Blog - Sex, Seduction, and Secret Societies: Byron, the Carbonari and Freemasonry</image:title>
      <image:caption>Fig. 1: George Gordon Byron, 6th Baron Byron by Richard Westall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1599609636378-LKH4A4011PSBDCHKEC85/20170330_191752.jpg</image:loc>
      <image:title>Blog - Sex, Seduction, and Secret Societies: Byron, the Carbonari and Freemasonry</image:title>
      <image:caption>Fig. 2: Childe Harold’s Pilgrimage examines the theme of ancient architecture and the search for lost knowledge</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Sex, Seduction, and Secret Societies: Byron, the Carbonari and Freemasonry</image:title>
      <image:caption>Fig. 3: Dr. John William Polidori (1795-1821) by F.G. Gainsford</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Sex, Seduction, and Secret Societies: Byron, the Carbonari and Freemasonry</image:title>
      <image:caption>Fig. 4: Solomon’s Seal on the drainpipes of Newstead</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Sex, Seduction, and Secret Societies: Byron, the Carbonari and Freemasonry</image:title>
      <image:caption>Fig. 6: The Masonic window in the chapel of Newstead celebrating the construction of Solomon’s Templ</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Sex, Seduction, and Secret Societies: Byron, the Carbonari and Freemasonry</image:title>
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  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2019/4/17/the-lost-rites-of-freemasonry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-08</lastmod>
    <image:image>
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      <image:title>Blog - The Lost Rites of Freemasonry</image:title>
      <image:caption>Click here to learn more about the book…</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - The Lost Rites of Freemasonry</image:title>
      <image:caption>Josef Friedrich August Darbes, A portrait of General of the Artillery Pyotr Melissino (responsible for the Melissino Rite), circa 1773-80, Kursk Gallery</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - The Lost Rites of Freemasonry</image:title>
      <image:caption>Johann Heinrich Wilhelm Tischbein (also ascribed to Anton Graff), Portrait of Georg Forster (Member of the Gold and Rosy Cross), circa 1785</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1555515102312-SVHLZMMNTEMKCK8V0FPU/Portrait_of_Giuseppe_Balsamo_%28called_Count_Alessandro_Cagliostro%29_LACMA_62.18_%281_of_2%29.jpg</image:loc>
      <image:title>Blog - The Lost Rites of Freemasonry</image:title>
      <image:caption>Jean-Antoine Houdon, Portrait of Giuseppe Balsamo (called Count Alessandro Cagliostro), circa 1786, Los Angeles County Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1555515520412-YIIFUJX4LNVD46VPE24W/Emmanuel+Swedenborg.png</image:loc>
      <image:title>Blog - The Lost Rites of Freemasonry</image:title>
      <image:caption>Carl Frederik von Breda, Portrait of Emmanuel Swedenborg, before 1818, Glencairn Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1555542547154-79P8IFCVQVA5ES6H640B/Louis-Claude_de_Saint-Martin.jpg</image:loc>
      <image:title>Blog - The Lost Rites of Freemasonry</image:title>
      <image:caption>Louis Claude de Saint-Martin, unknown author, circa 1800</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1555516757552-YTWGQZRQIC0J9M6VKPCZ/1933957_266269015014_5678080_n.jpg</image:loc>
      <image:title>Blog - The Lost Rites of Freemasonry</image:title>
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  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2019/4/10/the-mystique-of-the-north-dr-mcintosh-introduces-his-new-book-beyond-the-north-wind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1554909810576-I1XTTZQQ1SJSE0DR81VJ/North+Wind_cover%281%29.jpg</image:loc>
      <image:title>Blog - The Mystique of the North: Dr. McIntosh introduces his new book "Beyond the North Wind"</image:title>
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  <url>
    <loc>https://www.projectawe.org/blog/2017/6/19/the-symbol-filled-garden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1497903197826-WYPVBKBHYOVBZ79J09TX/image-asset.jpeg</image:loc>
      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1497895015287-867M8NJ5BEDW1AQDBBK0/image-asset.jpeg</image:loc>
      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>Statue of Hercules in the garden of the Villa Castello, Florence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1497895161629-XTXPGFWFH2V74BTWYX7R/image-asset.jpeg</image:loc>
      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>The garden of Stourhead, Wiltshire, reflecting the journey of Aeneas, as told in Virgil’s Aeneid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1497895232578-Q5A7APMYSKRT69O701N5/image-asset.jpeg</image:loc>
      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>Design from a 19th-century French Masonic apron.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1497901946518-T64V7HL7BIN9WW5VKEQA/image-asset.jpeg</image:loc>
      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>Ice house in the form of an Egyptian pyramid in the New Garden, Potsdam.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1497895453297-40NZIZIZ3KU9JCIUW2OT/image-asset.jpeg</image:loc>
      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>The Alchemist’s Tower, formerly part of the Masonic/Rosicrucian park at Louisenlund, Schleswig-Holstein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1497895525880-F783KIW14OX4K6RVN3AH/Head+of+Apollo-Saint-Just%2C+Little++Sparta.jpg</image:loc>
      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>Head of Antoine de Saint-Just doubling as Apollo in Ian Hamilton Finlay‘s garden at Little Sparta, Scotland.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>The Tarot Garden in Tuscany, created by the French sculptress Niki de Saint-Phalle.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>Gardens of the Gods (London: I. B. Tauris, 2005).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1497902154491-MDDMMU3L1KY2JMJNUB64/image-asset.jpeg</image:loc>
      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>Ian Hamilton Finlay: a Memoir (Vanadis Texts, 2014).</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - THE SYMBOL-FILLED GARDEN</image:title>
      <image:caption>The Wyrde Garden and other strange tales (Vanadis Texts, 2016)</image:caption>
    </image:image>
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  <url>
    <loc>https://www.projectawe.org/blog/2016/4/8/rembrandt-and-richard-wagner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-09</lastmod>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Fragment of the cover of Imbert’s essay in French</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>The first page of Imbert’s essay in French</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Self-portrait, oil on canvas, 1660, Metropolitan Museum of Art, New York</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Portrait of Richard Wagner, oil on canvas, 1883, by Giuseppe Tivoli, Civico Museo Bibliografico Musicale, Bologna, Italy</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, David Playing the Harp before Saul, oil on canvas, date unknown, Mauritshuis Royal Picture Gallery, The Hague, Netherlands</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Self-Portrait in Motion, oil on panel, 1634, Staatliche Museen zu Berlin – Preussischer Kulturbesitz, Gemäldegalerie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460132692813-6IKDTVVWRQWUD3KCYBJB/image-asset.jpeg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Portrait of Richard Wagner by Franz Seraph von Lenbach, oil on canvas, ca. 1870, Alte Nationalgalerie, Berlin</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Raising of Lazarus, etching, 1642, Morgan Museum and Library, New York</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Raising of Lazarus, oil on panel, c. 1632, LA County Museum of Art</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
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    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Temple of the Holy Grail, stage set by Paul von Joukowsky for the first Parsifal production at Bayreuth, 1882, Met Opera Archives</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>A still from the documentary Parsifal: The Search for the Grail. Directed by Tony Palmer. Conducted by Valery Gergiev. Great Performance Series, 1999</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Pilgrims of Emmaus, or The Supper at Emmaus, oil on mahogany, 1648, Louvre, Paris</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Christ and St. Mary Magdalene at the Tomb, oil on panel, 1638, Royal Collection, Windsor Castle, London</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, The Risen Christ, oil on canvas, 1658, Alte Pinakothek, Munich</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Christ Crucified Between the Two Thieves (“The Three Crosses”), drypoint, 1653, Museum of Fine arts, Boston</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Wagner, page from his manuscript score to Parsifal, his crowning work which took him 25 years to create (conceived 1857, completed 1882)</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, The Good Samaritan, oil on panel, 1630, Wallace Collection, London</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>The Nibelheim scene from the Ring Cycle production at the Metropolitan Opera, 2012. The breathtaking stage design created by Robert Lepage visually emphasizes the chiaroscuro effect inherent to Wagner’s music.</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Interior of the Festspielhaus in Bayreuth, founded by Wagner in 1872 especially for the performance of his music dramas (first performance: The Ring Tetralogy, 1876). Photo courtesy of Agence Cb voyages</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Self-Portrait in Velvet Cap with Plume, etching, 1638, Metropolitan Museum of Art, New York</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Photo of Richard Wagner, 1868, by Henry Guttmann, Getty Images</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, The Holy Family with Painted Frame and Curtain, oil on panel, 1646, Museum Schloss Wilhelmshöhe, Kassel</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Peter Paul Rubens, The Feast of Venus, oil on canvas, 1635-36, Kunsthistorisches Museum, Vienna</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Still from the Venusberg scene, designed and choreographed by Sascha Waltz in a breathtaking chiaroscuro manner for the 2014 production of Tannhäuser at Staatsoper Berlin. Credit: Mezzo TV</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Correggio, Noli Me Tangere, oil on panel transferred to canvas, c. 1525, Museo del Prado, Madrid</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner</image:title>
      <image:caption>Rembrandt, Simeon’s Song of Praise, oil on oak panel, 1631, Mauritshuis Royal Picture Gallery, The Hague, Netherlands</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151189315-HUJTB1POC26DEHTF5SW5/Caesar+Willich%2C+Portrait+of+Richard+Wagner%2C+oil+on+canvas%2C+ca.+1862%2C+on+commission+from+Otto+Wesendonck%2C+Rei%C3%9F-Museum+der+Stadt+Mannheim.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Caesar Willich</image:title>
      <image:caption>Portrait of Richard Wagner, oil on canvas, ca. 1862, on commission from Otto Wesendonck, Reiß-Museum der Stadt Mannheim</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151147939-BLV2ETAJR8S3RRT8NE2P/Adolfo+Wildt%2C+Parsifal%2C+Il+Puro+Folle_Parsifal%2CThe+Pure+Fool%2C+sculpture+1930.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Adolfo Wildt</image:title>
      <image:caption>Parsifal, Il Puro Folle_Parsifal,The Pure Fool, sculpture 1930</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner - Constantin Meunier</image:title>
      <image:caption>La Walkyrie, c1886. Charcoal, pastel and pencil on paper, private collection</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner - Die Walküre, Bayreuth 2015</image:title>
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      <image:title>Blog - Rembrandt and Richard Wagner - Edwin Austin Abbey</image:title>
      <image:caption>Galahad &amp; the Holy Grail</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner - Franz von Lenbach</image:title>
      <image:caption>Portrait of Wagner</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner - Franz von Lenbach</image:title>
      <image:caption>Richard Wagner 1894 Staatliche Museen zu Berlin Preußischer Kulturbesitz, Nationalgalerie Photo Klaus Göken.</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner - Franz von Lenbach</image:title>
      <image:caption>Wagner Oil on cardboard c.1882-3 Lenbachhaus</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151386879-BOX0SOWQ1EZQEEH25JGA/Grail+Temple%2C+Parsifal+premiere+1882+production+at+Bayreuth%2C+design+by+Paul+von+Joukowsky.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Grail Temple</image:title>
      <image:caption>Parsifal premiere 1882 production at Bayreuth, design by Paul von Joukowsky</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151419928-VMCNXHBJE2IB6P65466A/J.H.+Fuessli+Kriemhild+sieht+im+Traum+den+toten+Siegfried+%28c.+1805%29.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - J.H. Fuessli Kriemhild</image:title>
      <image:caption>sieht im Traum den toten Siegfried (c. 1805)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151601335-IYKV8GTC0U1ZZ8PFG58X/J.H.Fuessli+Kriemhild+wirft+sich+auf+den+toten+Siegfried_Kriemhild+throws+herself+on+the+body+of+the+dead+Siegfried+%281817%29.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - J.H.Fuessli Kriemhild</image:title>
      <image:caption>wirft sich auf den toten Siegfried Kriemhild throws herself on the body of the dead Siegfried, 1817</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151650635-Q3GU8T0HUA8PQPK1Q7S9/Jean+Delville+-+Parsifal%2C+1890.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Jean Delville</image:title>
      <image:caption>- Parsifal, 1890</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151697475-C24ZIUA5LS3LX6V49PXC/John+Caird%27s+production+of+Wagner%27s+Parsifal+for+Chicago+Lyric+Opera.+Set+designs+by+Johan+Engels+2013..jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - John Caird's production of Wagner's Parsifal for Chicago Lyric Opera</image:title>
      <image:caption>. Set designs by Johan Engels 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151736462-G7CQX6GXT1UWCZN0OK5X/Lohengrin+appearing+in+a+column+of+light%2C+staging+at+Mariinsky+Theatre+St.Petersburg+Russia+1999.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Lohengrin appearing in a column of light</image:title>
      <image:caption>staging at Mariinsky Theatre St.Petersburg Russia 1999</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner - Marcius-Simons</image:title>
      <image:caption>Pinckney, Parsifal, 1904</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner - Odilon Redon</image:title>
      <image:caption>Parcifal, 1912</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460151854125-6WM47QYPIHPVAU7DZAJY/Odilon+Redon%2C+Parsifal%2C+1891-92.++Lithograph+on+chine+appliqu%C3%A9.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Odilon Redon</image:title>
      <image:caption>Parsifal, 1891-92,  Lithograph on chine appliqué</image:caption>
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      <image:title>Blog - Rembrandt and Richard Wagner - One of Wagner's early scores</image:title>
      <image:caption>courtesy of British Library digital archives</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152123126-RW4ZPW527N0AGCSMV6TD/Parsifal+from+San+Francisco+Opera+2000.+Production+by+Nikolaus+Lehnhoff.+Sets+by+Raimund+Bauer..jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Parsifal from San Francisco Opera 2000</image:title>
      <image:caption>Production by Nikolaus Lehnhoff. Sets by Raimund Bauer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152469303-C8ABBM4HHZSFKBMHF1PG/Parsifal+staging+by+Marcelo+Lombardero+Teatro+Col%C3%B3n+2015+I.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Parsifal</image:title>
      <image:caption>staging by Marcelo Lombardero Teatro Colón 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152615167-TAWRFFHLZH7J4AC3XBXV/Parsifal+staging+by+Marcelo+Lombardero+Teatro+Col%C3%B3n+2015.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Parsifal</image:title>
      <image:caption>staging by Marcelo Lombardero Teatro Colón 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152659670-48I14NZY4WCY6V9TGCKY/Parsifal%2C+Holy+Grail+Scene%2Cstill+from+the+documentary+Parsifal+-+the+search+for+the+grail.+A+film+special+with+Pl%C3%A1cido+Domingo.+1998.JPG</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Parsifal</image:title>
      <image:caption>Holy Grail Scene,still from the documentary Parsifal - the search for the grail. A film special with Plácido Domingo, 1998</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152711335-YDCCDWXN42TQLQL81CB3/Pierre-Auguste_Renoir+-+Richard+Wagner%2C+oil+on+canvas%2C+1882%2C+Musee+dOrsay.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Pierre-Auguste Renoir</image:title>
      <image:caption>Richard Wagner, oil on canvas, 1882, Musee d'Orsay</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152760004-1LVW6N8IV6CC4EBE472P/Tannhauser+mural+at+Neuschwanstein+Castle.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Tannhauser</image:title>
      <image:caption>mural at Neuschwanstein Castle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152792090-HKEV2YP6GBWHWK9NWKGW/The+Ring%2C+Seattle+Opera+production%2C+2013.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - The Ring</image:title>
      <image:caption>Seattle Opera production, 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152834335-DOO6SNZ0SMQ06YYY81H3/Tristan+and+Isolde+mural+at+Neuschwanstein+Castle.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Tristan and Isolde</image:title>
      <image:caption>mural at Neuschwanstein Castle</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152865359-YSR2WCIB99B1345JF7QP/Tristan+and+Isolde+mural+at+Neuschwanstein+Castle2.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Tristan and Isolde</image:title>
      <image:caption>mural at Neuschwanstein Castle</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152898127-UWVPOKEQVJD44NYSXOBD/Tristan+and+Isolde+mural+at+Neuschwanstein+Castle3.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Tristan and Isolde</image:title>
      <image:caption>mural at Neuschwanstein Castle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152932317-H5GH6D739F4A15H7LW4Q/Venusberg.+Tannh%C3%A4user+staging+at+Staatsoper+Berlin%2C+choreography+and+design+by+Sascha+Waltz+2014.JPG</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Venusberg</image:title>
      <image:caption>Tannhäuser staging at Staatsoper Berlin, choreography and design by Sascha Waltz 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460152980314-06OUL1VM5MCFH03UYJC0/Wilhelm+Hauschild+Saga+of+the+Nibelungs%2C+mural+at+Neuschwanstein+Castle.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Wilhelm Hauschild</image:title>
      <image:caption>Saga of the Nibelungs, mural at Neuschwanstein Castle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1460153021873-0C9NI3TSYWURDPKWYT0I/Wilhelm+Hauschild+Scene+from+Siegfried%2C+mural+at+Neuschwanstein+Castle+2.jpg</image:loc>
      <image:title>Blog - Rembrandt and Richard Wagner - Wilhelm Hauschild</image:title>
      <image:caption>Scene from Siegfried, mural at Neuschwanstein Castle 2</image:caption>
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      <image:caption>David Playing the Harp to Saul, 1629, private collection</image:caption>
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      <image:caption>Raising of Lazarus, etching, c. 1632, LA County Museum of Art</image:caption>
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      <image:caption>The Parable of the Rich Fool, oil on oak, 1627 Gemäldegalerie, Berlin</image:caption>
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      <image:caption>Self portrait, 1630, oil on copper, National museum Stockolm</image:caption>
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      <image:caption>Self-portrait with disheveled hair (1628-1629), oil on oak panel, Rijksmuseum Amsterdam</image:caption>
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      <image:caption>Self portrait in oriental attire with poodle, 1631-33, oil on oak panel, Musee du Petit Palais, Paris</image:caption>
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      <image:caption>The Artist in his Studio, 1628, oil on panel, Museum of Fine Arts, Boston</image:caption>
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  <url>
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      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY - Christ with Three Faces (The Trinity)</image:title>
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      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY - Adoration of the Trinity (Landauer Altarpiece)</image:title>
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      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY - The Holy Trinity</image:title>
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      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY - The Holy Trinity</image:title>
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      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY - Fatherhood</image:title>
      <image:caption>Viktor Vasnetsov, 1907, State Tretyakov Gallery, Moscow, Russia.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>The Monad incarnate: Pieter de Grebber, God Inviting Christ to Sit on the Throne at His Right Hand, 1645 (detail), Museum Catharijneconvent Utrecht.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450757060265-KXID5J9C4GEC4WW1X89F/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Geometrical qualities of 1, 2, 3, and 4.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450757336037-GQF8UYXPV0XOTYVZ8UQL/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Illustration of a harmonic series, i.e. a series of overtones, on the note C, from Leonard Bernstein’s 1st lecture from theseries “The Unanswered Question: Six Lectures on Music given at Harvard,” 1973.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450757871363-Z1PY2SFHB62EG9ETE5XT/image-asset.png</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Here we see the pythagorean Tetractys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450757934069-2SEOAJ4ETIW4META6VOE/image-asset.png</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Here we see the Tetragrammaton [5] in a triangle, adding up to the number 72, considered in esoteric Jewish tradition to numerically represent God [6].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450758183750-2IDB40JF261CVYOUBKH0/image-asset.gif</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>From Pike, Morals and Dogma. The Tetractys with Hebrew attributions (The Ineffable Name).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450801215012-6ZMYLM2S81ESILZIVTPV/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>David Roberts, Egyptian Landscape with a Distant View of the Pyramids, 1862, Berger Collection at Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450801367497-9C6J9NRWMH0RABL3WGC9/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Variations on the Pythagorean tetractys, with the four baic elements (Fire, Air, Water, Earth) in Robert Fludd’s (1574–1637) treatises.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450801554283-9K90LPRAZLQBIKMGCBRU/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>The Egyptian origin of the Pythagorean triangle and the so-called 47th problem of Euclid: Osiris (Ausar, 3, male: origin), Isis (Auset, 4, female: recipient), Horus (5, the perfected result). This triangle is the symbol of the Creative Logos. From Higgins, The Beginning of Masonry : 32.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450801691619-5RWYY8287YBUYC906RVD/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Apollo. The Graces and the Muses. Depiction of the bas-relief by Bertel Thorvaldsen, 1811, drawn and engraved by Riepenhausen and Ferdinand Mori, from an album published in Rome, 1811. Source: Heidelberg University Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450801857495-CM932M6A05TUCRMBAX1P/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>The three-headed serpent representing time (Chronos), fragment from the frontispiece of Franchino Gaffurio’s Practica musicae, 1496.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450802039872-TDE4WDWM0HY88JGX2U0J/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Frontispiece from Liber I of Athanasius Kircher’s Musurgia Universalis, 1650. Engraved by Baronius of Rome after a drawing by John Paul Schor. See also the frontispiece of his Arithmologia  (1665) on numerical mysteries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450802111545-ZWY9UVW50G879P54DLQB/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Frontispiece of Kircher’s Musurgia Universalis, Liber I, fragment.  The figure of the triangle underlies the whole complex fabric of music, not only on the level of string division, but also on that of the triads—those chords that best represent the principle of the Divine Trinity.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450805100414-3FWFOEAPUAUIS3T0BPKG/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Jerónimo Cósida, The Holy Trinity, fresco, c. 1570, Cisterian Monastery of Tulebras, Spain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450805202900-RG3V0O8BP4UNMRVG1Z2N/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Peter Paul Rubens, Ignatius has a vision of the Trinity while praying at the Dominican church in Manresa, plate 16 from the pictorial biography of the saint, The Life of St. Ignatius of Loyola, published in 1609, the year of his beatification. Source: www.jesuitinstitute.org</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450805297048-F70VWJJT6639XB1MFLP3/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>A depiction of “audible light,” or “luminous sound”: The Glorification of the Virgin by Geertgen tot Sint Jans, Museum Boijmans van Beuningen.  Click here to listen to the musical instruments depicted in the painting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450805954642-ELUPNBZI0I9Q72OJETA6/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Victor Vasnetsov (1848–1926), Lord Sabaoth, fresco at the Vladimir Cathedral in Kyiv</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450806734369-1AKRD62JAFNH5CU9OX9N/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>The phrase‘Holy, Holy, Holy is the Lord God of Sabaoth’  from Isaiah 6:3 in Hebrew (Westminster Leningrad Codex): Kadosh Kadosh Kadosh Adonai Tz’vaot (written graphically as YHWH, the ineffable name of God). See Kedushah.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450836648641-IRJ27MGSDOWV8CVAV5Y2/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>From Chiara Bertoglio’s article “A Perfect Chord: Trinity in Music, Music in the Trinity”. [20]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450836870608-WNQBH14YSRY94V59Y5AG/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Hildegard von Bingen, Second Vision of the Trinity, Scivias Codex: Book II, 1165 CE. Wiesbaden, Landesbibliothek, source</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450837132333-CVM2IITY677GQ202RKY9/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Angelic Choir (c. 1180). Hildegard of Bingen's illumination from Liber Scivias, Lucca, Biblioteca Statale.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450837216648-SS1A84L1K6B34HPJ6UBR/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Signature of Giacinto Scelsi, reminiscent of Shen, Egyptian symbol of Infinity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450837231208-6ARB4MHZLVV4RVAV1MYO/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450837360787-Y3OFQUZKKJK0PVZIOMIL/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Odd Nerdrum, Three Singers, 1984, Odd Nerdrum Online Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450837739779-Q3RFZ9MUC834JHTIIIUI/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
      <image:caption>Albrecht Dürer, The Trinity, woodcut, 1511, National Gallery, Washington, DC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1450806408456-IDPMM14DBVYR4UPJ46GG/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD [PART III]:  TRIANGLE, TRINITY, UNITY</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2015/12/2/the-first-tarot-magician-the-artist-the-grail-and-the-pen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1449099648751-LTF856JSLQT0L3585NMH/image-asset.jpeg</image:loc>
      <image:title>Blog - The First Tarot Magician</image:title>
      <image:caption>Page one of Bonifiacio Bembo's Lancelot manuscript</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1449099712268-22HHWBFCTIJNNXWU9VYF/image-asset.jpeg</image:loc>
      <image:title>Blog - The First Tarot Magician</image:title>
      <image:caption>Bembo’s Visconti Sforza Tarot Magician</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1449100653228-OYEZOGH7YN6TBA0ANCY3/image-asset.jpeg</image:loc>
      <image:title>Blog - The First Tarot Magician</image:title>
      <image:caption>Laurentius de Voltolina's mid-14th Century painting of Henricus de Alemannia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1449100531448-4E03628XTBLPKQ9E0ZL4/image-asset.jpeg</image:loc>
      <image:title>Blog - The First Tarot Magician</image:title>
      <image:caption>An Illustration in Harvard's Decamaron - MA.MH-H.5005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1449099860234-C9ISD3LIZ5CT7XDS5Q1I/image-asset.jpeg</image:loc>
      <image:title>Blog - The First Tarot Magician</image:title>
      <image:caption>The Knights enter the Chapel of the Holy Grail in Bembo's Lancelot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1449099988233-STSVLIXWDM4IG8HGS90W/image-asset.jpeg</image:loc>
      <image:title>Blog - The First Tarot Magician</image:title>
      <image:caption>The Holy artefacts are placed about the body of Percinvalo's sister</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1449099904049-HOKDP4NE2OZXSZ83DKYI/image-asset.jpeg</image:loc>
      <image:title>Blog - The First Tarot Magician</image:title>
      <image:caption>The Knights leave the chapel, taking the holy artefacts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1449100209310-TD7VQ614NY9J9R4BQVSX/image-asset.jpeg</image:loc>
      <image:title>Blog - The First Tarot Magician</image:title>
      <image:caption>In the Cotton Domitian, Christ shows his wounds to Peter. The sacred relics are held by an attendant at left.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2015/9/1/the-13th-canon-portrait-of-js-bach</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441220307903-GBWERLKYOR1KPEGAXQ9O/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Elias Gottlob Haussmann, Portrait of J.S. Bach, 1746, Altes Rathaus Leipzig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441220012224-KT44QMNVPZBUOSKYLRUE/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Elias Gottlob Haussmann, Portrait of J.S. Bach, 1748, Bach-Archiv Leipzig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441220570807-HLIJRZQDKGH3TR3TED0F/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>C.F.R. Liszewski, 1772, Portrait of J.S. Bach. Formerly housed in Joachimsthaler Gymnasium in Berlin, and later disappeared during the World War II.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441220679846-L25WJU4VEOAFLWK81JXK/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Jean-Jacques Flipart, Portrait of Francois Couperin, copper engraving after the painting by André Bouys, 1735.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441220796927-JYOJQQC64H17N1WCZOE8/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Les idées heureuses, a harpsichord piece by Couperin, published in 1713, depicted in his portrait. Contrary to its title, “Happy Thoughts”, this music reflects a rather melancholic mood. Apparently it was the work that he was particularly fond of.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441221131616-ZOCJFF64SRXO2FEFSAIG/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Portrait of Johann Philipp Kirnberger (1721-1783), Bach's pupil, by Heinrich Eduard Winter, Österreichische Nationalbibliothek, Bildarchiv Austria.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441221313320-FXBZZQUGOCM5KN59IM33/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Title page of one of the issues of Mizler's Musikalische Bibliothek journal, Leipzig, 1739.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441221649600-6UBWQ2GILKUMF2ONYUEZ/image-asset.png</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Komponistensonne (The Composers Sun), copper engraving by Augustus Frederick Cristopher Kollman, published in Allgemeine Musikalische Zeitung, vol. 1, 1799. This image gives a curious hierarchy of composers: Bach is placed in the triangle in the middle as a kind of “sacred sun” in the music realm, surrounded by Haydn and Handel, among others, in the immediate proximity, with Telemann and Mozart somehow being placed in the second row.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441221752804-JOVCUDOFM1CZJNSV3GRD/image-asset.png</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>J.S. Bach, Canon triplex a 6 vocibus (canon for six voices) was presented as his ‘entrance work’ to Mizler’s Societät and is also the one that he holds in the Haussmann portrait.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441221907249-YR5NJNH0KURLC714T2GL/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Joseph-Siffrein Duplessis, Portrait of Christoph Willibald von Gluck, 1775, Kunsthistorisches Museum Vienna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441221945929-GLZZRK9RODUES39XZ3KD/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>Canon no. 13 as found among the 14 canons in the appendix to Bach’s Goldberg Variations, BWV 1087, composed between 1741 and 1750. Fragment of the original score, discovered in Bach’s own copy of the Variations in 1974. The score is stored at Bibliothèque Nationale de Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441221998423-NLXQ5NRBO2HBTPZN3TD6/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>The 13th canon deciphered, image from A. Maykapar’s book Facets of Classical Music [Grani klassicheskoi muzyki], Vol. II, published in Russian, International Music Productions, Chelyabinsk, 2014, p. 199.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1441222099711-4NE83M3NK1FSZC64ESGB/image-asset.jpeg</image:loc>
      <image:title>Blog - THE 13th CANON:  Portrait of J.S. Bach</image:title>
      <image:caption>J.S. Bach, Verschiedene Canones über die ersten acht Fundamental-Noten vorheriger Arie (Various Canons on the First Eight Fundamental Notes of the First Aria), from the Goldberg Variations, BWV 1087, composed between 1741 and 1750, discovered in Bach’s own copy of the Variations in 1974. The score is stored at Bibliothèque Nationale de Paris.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2015/8/4/making-the-invisible-visible-pladans-vision-of-ensouled-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438910007678-KG5X4X4S5V63CMSV12RV/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Portrait of Péladan, Alexandre Séon, 1891, musée des beaux-arts de Lyon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438910330535-TSBDUYMS5L07UGGV0ZAP/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Poster for the first Rose+Croix Salon, 1892, designed by Carlos Schwabe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438910637566-VN2SUMLOYRGOIPVB1NE8/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Frontispiece of Salon Catalogue, designed by Alexandre Séon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438910453097-A73HWFXFCHCRUVDR4DAH/image-asset.png</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Portriat of Péladan, Marcellin Desboutin, 1891, superimposed with some of his books, Musée des Beaux-arts d'Angers, France.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438910937365-AUZHJG8R9UU1X6XKFHLN/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Guardian of Paradise, Franz von Stuck, 1889, Villa Stuck, Munich, Germany.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438911366924-2E8SZ0K4H93QZPIAX4EE/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Fernand Khnopff, Frontispiece for the Istar, 1888.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438911386141-PF7S544DVJLOFDVGAX7L/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Carlos Schwabe, Spleen and Ideal, 1907</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438911745837-BNCUQMKCVHQD1T2018MY/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>The Myth of Butades, Edouard Daege, 1832, Nationalgalerie Berlin. Germany.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438911882777-SEYQB8FRUQPFQE468DG2/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>The Lamassu, or Assyrian winged bull, University of Chicago Oriental Institute, USA, c. 721-705 BCE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438912780172-FOGNJIDTO8KHKHDQ9AQK/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>St John the Baptist, Leonardo da Vinci, 1513-16, Musée du Louvre, Paris, France.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438913694275-MNKT0LOKOEB62KBO02M7/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Oedipus and the Sphinx, Gustave Moreau, 1864, The Metropolitan Museum of Art, NewYork, USA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438913986418-EELPHRITS89LZLVSK0BW/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Thracian Girl Carrying the head of Orpheus, Gustave Moreau, 1875, Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438914249552-LYQJWJOONLNASVVCFX8Z/image-asset.jpeg</image:loc>
      <image:title>Blog - Making the invisible visible: Péladan's vision of ensouled art</image:title>
      <image:caption>Orpheus in the Underworld, Jean Delville, 1896. Delville continued Péladan's Salons in Belgium with Péladan's blessing.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2015/8/3/the-blossom-from-the-ash</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438652718973-QNETSKY8V59B40EXB8AF/image-asset.jpeg</image:loc>
      <image:title>Blog - The Blossom From The Ash</image:title>
      <image:caption>Caomin Xie, Lotus of Rusts, oil on canvas 78x96" 2013, Saatchi Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438654625935-PLDNOUO7GLGGEN7TZPV4/image-asset.jpeg</image:loc>
      <image:title>Blog - The Blossom From The Ash</image:title>
      <image:caption>Caomin Xie, Mandala # 12, 2010, oil on canvas, 144 by 109 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438655936878-6JLQLM89QABSFF6L34JB/image-asset.jpeg</image:loc>
      <image:title>Blog - The Blossom From The Ash</image:title>
      <image:caption>Caomin Xie, Brahma #2, 2015, oil on canvas, 36 by 44 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438655360623-OKNDFA1WAD91R3B4XFR5/image-asset.png</image:loc>
      <image:title>Blog - The Blossom From The Ash</image:title>
      <image:caption>Caomin Xie, Still Image 106 - Fog on the Ocean, 2005, oil on canvas, 65 by 96 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438652028027-PCQYP7AV0MS97NPVAZAD/image-asset.jpeg</image:loc>
      <image:title>Blog - The Blossom From The Ash</image:title>
      <image:caption>Chinese contemporary painter Caomin Xie pictured in his Atlanta, GA studio with works in progress, July 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2015/7/2/the-birth-of-cinema-400-years-ago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1435887741281-PUDTGMP096N4TCWZTGIH/image-asset.jpeg</image:loc>
      <image:title>Blog - The Birth of Cinema 400 Years Ago</image:title>
      <image:caption>Titian, Portrait of Alfonso d'Avalos, Marquis of Vasto, in Armor with a Page, c.1533, The J. Paul Getty Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1435886819308-S905XQ7Z7WHYHAN99F0T/image-asset.jpeg</image:loc>
      <image:title>Blog - The Birth of Cinema 400 Years Ago</image:title>
      <image:caption>Caravaggio, The Entombment of Christ, c.1603–1604, Pinacoteca Vaticana, Vatican City</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1435886656832-AIUMWHY7S64ILD5RUPIT/image-asset.jpeg</image:loc>
      <image:title>Blog - The Birth of Cinema 400 Years Ago</image:title>
      <image:caption>Rembrandt van Rijn, Abraham and Isaac, 1634, Hermitage, St. Petersburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1435886714214-MH8XPYDX0IEZ1G0N32ER/image-asset.jpeg</image:loc>
      <image:title>Blog - The Birth of Cinema 400 Years Ago</image:title>
      <image:caption>Diego Velasquez, Las Meninas, 1656, Museo del Prado, Madrid</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1435886763585-25FS013TEFR6VUB2RJQR/image-asset.jpeg</image:loc>
      <image:title>Blog - The Birth of Cinema 400 Years Ago</image:title>
      <image:caption>Peter Paul Rubens, Jupiter and Callisto, 1613, Museumslandschaft of Hesse in Kassel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2015/6/6/up-and-down-the-monochord-seven-vowelsseven-planets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433608983049-7D4WRI8PA20HJA1HLLL3/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II]</image:title>
      <image:caption>Fyodor Bronnikov, Pythagoreans celebrate sunrise (Pythagoreans' Hymns to the Rising Sun), 1869, Tretyakov State Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433611751057-73YB6XXT6CYAM82QDPFL/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II]</image:title>
      <image:caption>Nicomachus (right) and Plato in a 12th  c. manuscript, Cambridge University Library. Plato revered Pythagoras as a great teacher, but, curiously, almost never mentioned his name in his works – perhaps because he owed him so much of his knowledge; he bought the book containing the compilation of Pythagoras’ wisdom from the Pythagorean Philolaus. His dialogue “Timaeus” is largely based on the Pythagorean doctrine, although understood in Plato’s own way.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433612236432-OO87L274T28MBGDHO3YW/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II]</image:title>
      <image:caption>Babylonian temple with seven levels, from: Higgins, Frank C. The Beginning of Masonry, New York, 1916 : 57</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433612917704-45MNU4U1AFYB4KOIOOYH/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II]</image:title>
      <image:caption>Visual representation of near unison made by a scientific instrument called Harmonograph, an invention attributed to a Professor Blackburn in 1844. From Aston, Anthony. Harmonograph: A Visual Guide to the Mathematics of Music, 2003 : 23</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433613307453-1S5DE3MF5NZQKVR7PSRR/image-asset.jpeg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II]</image:title>
      <image:caption>Onorio Marinari, Apollo, half-length, holding a lyre, ca. 1686, collection unknown (?)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610995856-OBW8LON5J8IOOQF2HAEY/John+William+Godward%2C+The+Muse+Erato+at+Her+Lyre%2C1895.Private+collection.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - John William Godward, The Muse Erato at Her Lyre,1895, Private collection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433611031581-NGSWBPM8X99PNCS81APW/Raphael%2C+Parnassus+%28Apollo+and+the+Muses%29%2C+16th+c%2C+papal+apartments%2C+Palace+of+Vatican.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Raphael, Parnassus (Apollo and the Muses), 16th century, papal apartments, Palace of Vatican</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610323292-NII416JOCKZA2ZT6M3S0/Briton+Riviere%2C+Apollo+Playing+the+Lute%2C+1874.+Bury+Art+Gallery+and+Museum%2C+Lancashire%2C+UK.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Briton Riviere, Apollo Playing the Lute, 1874, Bury Art Gallery and Museum, Lancashire, UK</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610316929-XM346JA7POXTH8U26VK5/Andrea+Mantegna%2C+Parnassus%2C+1496-97.+Louvre%2C+Paris.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Andrea Mantegna, Parnassus, 1496-97, Louvre, Paris</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610319927-2RH127J8WXXHYJ14IH9S/Baldassarre+Peruzzi%2C+Apollo+and+the+Muses%2C1514-1523.+Galleria+Palatina%2C+Florence.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Baldassarre Peruzzi, Apollo and the Muses,1514-1523, Galleria Palatina, Florence</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610327488-SYJTJOBHJAKI6X9HO1GD/Eustache+Le+Sueur%2C+Terpsichore%2C1652-1655.+Louvre%2CParis.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Eustache Le Sueur, Terpsichore,1652-1655, Louvre,Paris</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610758654-M6H6KDC01ZPQV6NM6V8K/Gustave+Moreau%2C+Apollo+and+the+Nine+Muses%2C+1856.+Private+collection.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Gustave Moreau, Apollo and the Nine Muses, 1856, Private collection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610761241-CUP82G5CN2H2D8IY67DZ/Gustave+Moreau%2C+Hesiode+and+the+Muse%2C+1891.+Mus%C3%A9e+d%27Orsay%2C+Paris.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Gustave Moreau, Hesiode and the Muse, 1891, Musée d'Orsay, Paris</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610679188-ROHQEY7HLCNZZC1AY06N/Franti%C5%A1ek+Kupka%2C+Babylon%2C1906.+Schirn+Kunsthalle%2C+Frankfurt%2C+Germany.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - František Kupka, Babylon,1906, Schirn Kunsthalle, Frankfurt, Germany</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610753143-G6C7NVHS34ETDIN0UFJL/Frederic+Leighton.The+Daphnephoria%2C+1876.Lady+Lever+Art+Gallery%2C+UK.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Frederic Leighton.The Daphnephoria, 1876, Lady Lever Art Gallery, UK</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610965419-JGVNAJUOCWEK2D6EII3V/Jean-Marc+Nattier%2C+Terpsichore%2CMuse+of+Dance%2C1739.+Fine+Arts+Museum+of+San+Francisco.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Jean-Marc Nattier, Terpsichore,Muse of Dance,1739, Fine Arts Museum of San Francisco</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610901823-GY3NZIUDUCWNERTR79R3/Henri+Martin%2C+Lady+with+a+Lyre+by+Pine+Trees%2C+1890.+Location+unknown.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Henri Martin, Lady with a Lyre by Pine Trees, 1890, Location unknown</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433610248109-07I7ZYLWB1BDIEF14OJS/Alexander+Benois%2C+Song+of+Apollo+to+Dryads+and+Fauns%2C+1908.+Russian+Museum%2C+St.+Petersburg.JPG</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Alexander Benois, Song of Apollo to Dryads and Fauns, 1908, Russian Museum, St. Petersburg</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1433611035451-N1RIB4I5101TIVZ2Y2OA/Richard+Wilson%2C+Apollo+and+the+Seasons%2C+date+unkown.+Tate+Gallery.jpg</image:loc>
      <image:title>Blog - UP AND DOWN THE MONOCHORD: Seven Vowels—Seven Planets [Part II] - Richard Wilson, Apollo and the Seasons, date unkown, Tate Gallery</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2015/4/7/up-and-down-the-monochord</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428517974180-2VWL5MB7ACCAW3HD1NAV/image-asset.jpeg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Francesco Albani, Mercury and Apollo, 1623-25, Galleria Nazionale d'Arte Antica, Rome</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Bust of Pythagoras, Rome, Capitoline Museums, Palazzo Nuovo, Hall of the Philosophers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428519168266-BTPP31CPEWU5EX2KASLD/image-asset.jpeg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Salvator Rosa, Pythagoras and the Fisherman, 1662, Staatliche Museen, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428800684039-0T8BQ15E973D4TRVN8M7/image-asset.jpeg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Raphael, The Miraculous Draught of Fishes, 1515-16, National Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428800816917-I9FS7O9R57O3BFWI9ZKG/image-asset.jpeg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Vesica Pisces: the ratio of 265/153</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428801202242-R93WVG60D01RKVHD17Z4/image-asset.jpeg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Omphalos (“the navel of the world”), the foundation stone at the Apollo temple in Delphi, Delphi Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428801359525-V938FOKCPE4KY3E5MKUF/4+Christ+in+Majesty+inside+a+vesica+piscis%2C+Chartres+Cathedral.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Christ in Majesty inside a Vesica Piscis figure, Chartres Cathedral: Royal Portal, West Façade, central bay, France</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>The figure of Pythagoras studying the divine laws of harmony, Chartres Cathedral, Royal Portal, west façade, right doorway tympanum, under the figure of the Virgin inside a Vesica Piscis.</image:caption>
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      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Chartres Cathedral, France,  ground plan with Vesica Piscis</image:caption>
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    <image:image>
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      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Pythagorean pentagram with five letters forming the word Hygieia (health)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428523742883-LPB4CLUFCJ1OPXTZ0L4H/image-asset.jpeg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Giovanni dal Ponte, Seven Liberal Arts, detail: Pythagoras and  arithmetic, The Prado Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524182619-H5BHQFXKDQ7JVUQZQLNE/6+A+Pythagorean+School+Invaded+by+Sybarites.+Michele+Tedesco.+1887.+bbc+co+uk..jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Michele Tedesco, A Pythagorean School Invaded by Sybarites, 1887, Guildhall Art Gallery, The Bridgeman Art Library, London</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Pythagoras, line engraving by B. Barloccini after C.C. Perks, 1849</image:caption>
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      <image:title>Blog - Up and Down The Monochord [Part I]</image:title>
      <image:caption>Salvator Rosa, Pythagoras emerging from the underworld, 1662, Kimbell Art Museum, Texas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524683009-50DMLHG1EBQNX1R20247/Alma+Tadema%2C+On+the+Road+to+the+Temple+of+Ceres%2C+1879.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Alma Tadema, On the Road to the Temple of Ceres, 1879, private collection</image:title>
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      <image:title>Blog - Up and Down The Monochord [Part I] - Arnold Böcklin, Idyll (Pan Amidst Columns),1875</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524703257-8WQPXXE4UCKOALJULEOR/Jean-Leon+Gerome%2C+Bacchus+and+Anacreon+Love.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Jean-Leon Gerome, Bacchus and Anacreon Love, 1848, Musée des Augustins, Toulouse</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524688894-D458HBTITNYX5WP5REV6/Francis+Oliver+Finch__Religious+Ceremony+in+Ancient+Greece.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Francis Oliver Finch, Religious Ceremony in Ancient Greece, c. 1835, Yale Center for British Art, Paul Mellon Collection</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524694937-MVPFINFOQ7X488ZB1TSE/Gustave+Moreau+Orpheus.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Gustave Moreau, Orpheus, 1865, Musée d'Orsay, Paris, France</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524706835-K6QF36INPIM3GIE9UT4V/Sie+Lawrence+Alma-Tadema+_A+Dedication+to+Bacchus.+1889+%28c%29+Photo+by+Elke+Walford%2C+Hamburger+Kunsthalle.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Sir Lawrence Alma-Tadema, A Dedication to Bacchus, 1889, Hamburger Kunsthalle</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524706332-2MVNRFQNKN059BGMO7XN/Pythagoras_advocating+vegetarianism_%281618-20%29_+Peter+Paul+Rubens+wikimedia.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Peter Paul Rubens, Pythagoras advocating vegetarianism, 1618-20, Royal Collection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524708191-Q4OS454JGN1UC3DHKJ43/Sir+Lawrence+Alma-Tadema+The+vintage+festival%2C+1871.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Sir Lawrence Alma-Tadema, The vintage festival, 1871, private collection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524712254-ZCUSEGJG3AW8FT10J1CY/Stepan+Bakalovich%2C+Sappho+and+Alcaeus.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Sir Lawrence Alma-Tadema, Sappho and Alcaeus, 1881, The Walters Art Museum, Baltimore</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524714401-F1UAAIWILLWPYILGCXQS/William_Bouguereau_La+jeuness+de+Bacchus%2C+1884.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - William Bouguereau, La jeuness de Bacchus, 1884, private colection</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428524720945-BF4FLV0W4Y4L19P868YA/Workshop+of+Leonardo+da+Vinci%2C+%E2%80%9CBacchus%2C%E2%80%9D+1510+%E2%80%93+1515%2C+oil+on+walnut+panel+transferred+to+canvas%2C+wikimedia.jpg</image:loc>
      <image:title>Blog - Up and Down The Monochord [Part I] - Workshop of Leonardo da Vinci, Bacchus, c.1510-1515, Louvre, Paris</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2015/2/18/coming-to-terms-with-the-terms-why-esotericism</loc>
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    <priority>0.5</priority>
    <lastmod>2016-02-14</lastmod>
    <image:image>
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      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>Saint Francis of Assisi in Ecstasy, Caravaggio's first religious painting, c. 1595, Wadsworth Atheneum, Hartford, Connecticut</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424285498585-KGSE81RR7VVOXNT0RJ6M/image-asset.jpeg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424285599055-2RL1QMA3C3K5V82QX00F/ESOTERICISM____David+The+Younger+Ryckaert+The+Alchemist+1640.jpg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>David Ryckaert III, The Alchemist, 1649, Museo del Prado, Madrid</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424285814811-U82T2HGB8VSYDLD5G8YF/image-asset.jpeg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>Gian Lorenzo Bernini, Ecstasy of Saint Theresa, 1647-52, Santa Maria della Vittoria, Rome</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424285956964-EAK0QWQ3H9QKXHEH6YTW/image-asset.jpeg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>Fragment of altar fresco, ca. 1350, Visoki Decani Monastery, Metohia, Yugoslavia,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424286075427-GTOX5V6ZPUX49YKFJZ09/image-asset.jpeg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>Hermes Mercurius Trismegistus depicted on the floor of Siena’s Duomo, Tuscany, Italy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424286248330-I86ZV4AMTQWM8T0GMBFG/image-asset.jpeg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>William Blake, Jacob's Ladder, 1800,British Museum, London, England</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424286367747-EUQTFSZSR3E8KOY7CMNM/image-asset.jpeg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>Raphael, The Ecstasy of Saint Cecilia, 1516-17, Pinacoteca Nazionale, Bologna</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424286634771-GXXBFBSD9KFYQJ6M3EOG/image-asset.jpeg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>Adolf Hirémy-Hirschl, The Souls of Acheron, 1898), Österreichische Galerie, Belvedere</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424287113410-AT97KHCBUDGWQSH834EI/image-asset.jpeg</image:loc>
      <image:title>Blog - Coming to Terms with the Terms: Why ‘Esotericism’?</image:title>
      <image:caption>Nicolas Poussin, The ecstasy of Saint Paul, 1649-50, The Louvre Museum, Paris</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2014/12/21/lordre-de-lunion-de-la-joye-a-womens-order-in-the-17th-century-dutch-golden-age</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419139804518-PEL6CRCIM5INSGM0R18W/inneke+1+portrait.jpg</image:loc>
      <image:title>Blog - L'Ordre de l'Union de la Joye:  A Women's Order in the 17th-century Dutch Golden Age</image:title>
      <image:caption>Amalia Margaretha van Brederode (1625-1663), Grandmistress of L'Ordre de l'Union de la Joye, Gerard van Honthorst 1650/1656: Instituut Collectie Nederland C275</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419139943563-JR44JKSAGEQQS8XEVSHN/image-asset.jpeg</image:loc>
      <image:title>Blog - L'Ordre de l'Union de la Joye:  A Women's Order in the 17th-century Dutch Golden Age</image:title>
      <image:caption>Anna Trajectina van Brederode (1629-1672), assistant to Grandmistress, Gerard van Honthorst 1650/1656: Instituut Collectie Nederland C278</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419139928198-GNGSTT6QX8XP41X9JB7V/image-asset.jpeg</image:loc>
      <image:title>Blog - L'Ordre de l'Union de la Joye:  A Women's Order in the 17th-century Dutch Golden Age</image:title>
      <image:caption>First page of the regulations of the Order of the Society of Joy, Archive Amalia van Solms, 14 AXIII, 21, Royal Archives, The Hague, The Netherlands</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419139908886-8Z4LSK0ZULN7O7Q3EACD/image-asset.jpeg</image:loc>
      <image:title>Blog - L'Ordre de l'Union de la Joye:  A Women's Order in the 17th-century Dutch Golden Age</image:title>
      <image:caption>Fragment of the regulations with signature from Amalie van Brederode, Archive Amalia van Solms, 14 AXIII, 21, Royal Archives, The Hague, The Netherlands</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419140290705-YPBYACGSZHKSB9KZRF7C/ineke+1.jpg</image:loc>
      <image:title>Blog - L'Ordre de l'Union de la Joye:  A Women's Order in the 17th-century Dutch Golden Age</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2014/11/5/on-music-which-is-slow-and-flawed-the-future-music-technologies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418516405908-TLYK51CI27VL3P219K6U/image-asset.jpeg</image:loc>
      <image:title>Blog - On Slow and Flawed Music:  The Technologies of Future Music</image:title>
      <image:caption>Johannes Vermeer, The Music Lesson, c. 1662, Royal Collection, St. James's Palace, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1415231901900-F75U5ZAIPBHUQ4VLMFS7/image-asset.jpeg</image:loc>
      <image:title>Blog - On Slow and Flawed Music:  The Technologies of Future Music</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1416593829120-4CEGN59PSZ25IZ44R2RC/fIInjvC11E0+nastasya+color+mouth.jpg</image:loc>
      <image:title>Blog - On Slow and Flawed Music:  The Technologies of Future Music</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1416592566256-AQLS1JBB5VWZW1805HC6/image-asset.jpeg</image:loc>
      <image:title>Blog - On Slow and Flawed Music:  The Technologies of Future Music</image:title>
      <image:caption>Photo by Helena Nasibullina</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2014/7/9/the-alchemy-of-a-portrait</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1404884288832-1BVJRD6EF3O9WYZLPL9R/Portrait+by+Zhenya+Gershman</image:loc>
      <image:title>Blog - The Alchemy of a Portrait</image:title>
      <image:caption>detail from a portrait by Zhenya Gershman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2014/5/30/z2u10k4z0dx4a1jnxuzhu0xfdzfbd5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1401473752863-78JTB53171FZYCQ9FN1S/Jacopo+Pontormo%2C+Cosimo+de%27+Medici+the+Elder%2C+1518</image:loc>
      <image:title>Blog - Can Art Bring The Dead to Life?</image:title>
      <image:caption>Jacopo Pontormo, Cosimo de' Medici the Elder, 1518</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/blog/2014/4/1/7-keys-to-rembrandts-secret</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1396475835175-6C15O821GSTMNWYKKXJD/image-asset.jpeg</image:loc>
      <image:title>Blog - 7 Keys to Rembrandt's Secret</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1553363652263-SEGRGQ4ZI54JSK2U95Z6/kabbalah.jpeg</image:loc>
      <image:title>Events - How the Kabbalah Reimagines God</image:title>
      <image:caption>Detail, Frontpiece from the 1516 Latin translation of Gikatilla's Gates of Light</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1553363155032-JLTZ9B8O28139WZUCP33/daniel+matt.jpeg</image:loc>
      <image:title>Events - How the Kabbalah Reimagines God</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2019/3/19/drers-enigma-a-kabbalistic-revelation-in-melencolia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1553190777964-6KH036EA3OU8SC0C26WJ/Albrecht_D%C3%BCrer_-_Melencolia_I_-_Google_Art_Project_%28_AGDdr3EHmNGyA%29.jpg</image:loc>
      <image:title>Events - Dürer’s Enigma: A Kabbalistic Revelation in Melencolia §I</image:title>
      <image:caption>Albrecht Dürer’s engraving Melencolia §I (1514)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2019/4/1/awe-panel-esoteric-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1553190101876-JSNSQBZ6B3R0M4LG0C88/gioto.jpeg</image:loc>
      <image:title>Events - AWE Panel: Esoteric Art</image:title>
      <image:caption>Image: Giotto, Last Judgment (detail), 1306, Fresco, Cappella Scrovegni (Arena Chapel), Padua</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2019/2/22/drawing-with-the-masters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1549574220840-ULLR9UHZKO3HHOIW6C2F/800px-Pontormo-visitation-after-restorationRGB.jpg</image:loc>
      <image:title>Events - Drawing with the Masters</image:title>
      <image:caption>Image: Jacopo Pontormo, Visitation (detail), 1528–29, Church of San Francesco e Michele, Carmignano, Italy</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2018/9/29/flute-piano-recital</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1535305174271-GOYR0J6ITZA8H64E3QAO/flute+and+piano.jpg</image:loc>
      <image:title>Events - Flute &amp;amp; Piano Recital</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1535249815819-EGEPNW5B5OFF54JFGNHH/James+photo.jpg</image:loc>
      <image:title>Events - Flute &amp;amp; Piano Recital</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1535249840354-2JCQ4ZCYWIH4Q59UXE08/SP%281%29.jpg</image:loc>
      <image:title>Events - Flute &amp;amp; Piano Recital</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2018/10/21/what-to-say-to-a-ghost</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1534902684583-MW4FAQ11KQOTP08KA81N/WOMAN.jpg</image:loc>
      <image:title>Events - What to say to a ghost?</image:title>
      <image:caption>Image by David Brownstein</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2018/4/17/albrecht-drer-a-renaissance-mathematician</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1523991927392-AASJN0BX38KSK0IMK5XK/Albrecht_D%C3%BCrer_-_1500_self-portrait_%28High_resolution_and_detail%29.jpg</image:loc>
      <image:title>Events - Albrecht Dürer a Renaissance Mathematician</image:title>
      <image:caption>Albrecht Dürer, Self-Portrait, 1500, Alte Pinakothek, Munich</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1523982149557-IUXU4W71RONBOV34HEEQ/MATH+-albrecht-durer-.jpg</image:loc>
      <image:title>Events - Albrecht Dürer a Renaissance Mathematician</image:title>
      <image:caption>Albrecht Dürer, Illustration for his book Underweysung der Messung (Treatise on Measurement), 1525</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2017/2/7/g6ufkkvlvlj8aktx9gxarrb2b9cdj0</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519154115903-2LRA8P12CNG47RMQC24U/FRENCH+WEEK+ART+AND+ETHICS.jpg</image:loc>
      <image:title>Events - Art &amp; Ethics at Louis Stern Fine Arts</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2017/12/7/mynlcv0sp6c0i1z5ftnlml681974ya</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1512691397358-0LKRKURWOGJEW2TFEUQV/170914_Gershman_117v1.jpg</image:loc>
      <image:title>Events - LA ART SHOW 2018</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2017/10/5/depicting-the-invisible-in-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1505519508908-FNI6H6OTAJCF7OL1GY2W/Fayum+portrait.JPG</image:loc>
      <image:title>Events - Depicting The Invisible in Art</image:title>
      <image:caption>Mummy portrait of bearded man, encaustic on wood, circa 2nd century AD, Royal Museum of Scotland</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2017/8/8/kafka-rembrandt-hidden-poetics-alterity-in-literature-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1502243428797-S5VYJ60TB4JGJV5CWIPC/image-asset.jpeg</image:loc>
      <image:title>Events - Kafka &amp;amp; Rembrandt: Hidden Poetics, Alterity in Literature &amp;amp; Art</image:title>
      <image:caption>Rembrandt van Rijn, "Belshazzar's Feast" (detail), National Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1502746940272-QY0P8DN7LG2147MOU1Q9/image-asset.jpeg</image:loc>
      <image:title>Events - Kafka &amp;amp; Rembrandt: Hidden Poetics, Alterity in Literature &amp;amp; Art</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1502747132375-JIBAN7MNM9ARPNY7W245/image-asset.jpeg</image:loc>
      <image:title>Events - Kafka &amp;amp; Rembrandt: Hidden Poetics, Alterity in Literature &amp;amp; Art</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2017/1/2/la-art-show-international-art-fair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1483383827104-G9YI6RQK4K381EHN59XQ/image-asset.jpeg</image:loc>
      <image:title>Events - LA ART SHOW International Art Fair</image:title>
      <image:caption>Zhenya Gershman, "Hands", oil on canvas, 98 X 130 inches, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2016/6/27/invisible-museum-tour-light-dark</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1467080555968-J0WZ1MPYKUXZS2IL28QR/image-asset.jpeg</image:loc>
      <image:title>Events - "Invisible" Museum Tour Series: Light &amp; Dark</image:title>
      <image:caption>Image: Gerrit Dou, Astronomer by Candlelight (detal), 1650's, The J. Paul Getty Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2016/5/16/drers-art-of-revelation-revelation-of-drers-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1463429111705-CODGQAS1JYF14IUIGIAP/Albrecht+D%C3%BCrer%2C+%22Melancolia+%C2%A7+I%22%2C+1514</image:loc>
      <image:title>Events - Dürer’s Art of Revelation: Revelation of Dürer’s Art</image:title>
      <image:caption>Albrecht Dürer, "Melancolia § I", 1514</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1463429448157-QG3KQWQAW5QAQ3CPSOLN/image-asset.jpeg</image:loc>
      <image:title>Events - Dürer’s Art of Revelation: Revelation of Dürer’s Art</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2015/4/8/awe-exhibition-and-film-screening-models-artist-at-lgbt-la</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428639780502-MBRVRW9GXKBU6AGTQVIT/mark+up-close.jpg</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428639821544-HWDDIM6CRA6TQ3AGEJGO/WHITE.jpg</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428639800462-MX8N0TJPRSOCA219BUOY/UNBIRTHDAY+z+photos+july+2011+001.jpg</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428639791412-WTHOYRKNQF2KQV5Y635A/SICO.jpg</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428639992772-Q8ETUK0WWUQWLGKICKP0/ENTOMBMENT+Zhenya+Gershman.jpg</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428639772585-S8LE9WR34H9FCNEFE05T/GRIMACE+z+photos+july+2011+035.jpg</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428640002027-0TIG5VYYRWLH90IYERBC/SHIFT.jpg</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428707788899-EPOETMEY5GHY0NVA3H74/2B2A2032+mark+no+plug.jpg</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428957237868-PFVHOZF5Z4ODE4PV2J0D/image-asset.png</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1431376974451-I0RMEB6O6T0KCF3EJRYH/image-asset.png</image:loc>
      <image:title>Events - Art Exhibition and Film Screening: Model's Artist</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2015/4/8/awe-presents-3-papers-world-conference-at-the-bibliothque-nationale-paris-france</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428640463272-ZOTUOL6490YVWMIC2BIX/inneke+2+portrait.jpg</image:loc>
      <image:title>Events - AWE Presents 3 Papers at The World Conference in Paris</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428640460438-GCDD81D57UTERYS90UNH/inneke+1+portrait.jpg</image:loc>
      <image:title>Events - AWE Presents 3 Papers at The World Conference in Paris</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428640497886-U6LUVYDY4A67A8V2JJCZ/Image+_Rembrandt_Self-Portrait_1636.jpg</image:loc>
      <image:title>Events - AWE Presents 3 Papers at The World Conference in Paris</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428640572192-TUR35AI1USZNU5EK8ILS/2014-02-06-RichardWagner95212021402.jpg</image:loc>
      <image:title>Events - AWE Presents 3 Papers at The World Conference in Paris</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/events/2015/6/18/artist-panel-at-the-jewish-federation-skin-4what-if-art-brought-our-ancestors-alive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-06-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428640348614-HB25IDAOXJHGGJSVRJZN/image-asset.jpeg</image:loc>
      <image:title>Events - ARTIST PANEL:  SKIN-4—What if Art Brought Our Ancestors Alive?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/partners1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1522383945557-KA3XGGSNAMV9XGPZE2TT/ESSWE_logo_opengraph.png</image:loc>
      <image:title>Partners - European Society for the Study of Western Esotericism:</image:title>
      <image:caption>Affiliated Network of AWE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1522383945557-KA3XGGSNAMV9XGPZE2TT/ESSWE_logo_opengraph.png</image:loc>
      <image:title>Partners - European Society for the Study of Western Esotericism:</image:title>
      <image:caption>Affiliated Network of AWE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1522378602682-WKMUKLK2Q1M2Q0U6LCTO/ESSWE_logo_opengraph.png</image:loc>
      <image:title>Partners - European Society for the Study of Western Esotericism:</image:title>
      <image:caption>Affiliated Network of AWE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1440555734432-4DWH4AT07MIJVTQR1HPD/the+charitable+foundation.jpg</image:loc>
      <image:title>Partners - THE CHARITABLE FOUNDATION:</image:title>
      <image:caption>Supports Young Artist Program (Y.A.P.) low income student scholarships at Project AWE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418677339840-XCPBOZTHD1MC1HYMKTGL/JEWISH+FED.jpg</image:loc>
      <image:title>Partners - THE JEWISH FEDERATION:</image:title>
      <image:caption>Supports Project AWE with a grant in partnership with Genesis Philanthropy Group and The Jewish Agency for Israel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519160405124-RAVNZYVREN9XR9DOFQMW/Alliance-Francaise-de-Los-Angeles-horizontal-Logo-1.jpg</image:loc>
      <image:title>Partners - Alliance Française de Los Angeles:</image:title>
      <image:caption>Creates joint programming with Project AWE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1544323679853-LVZG6K3MRKUZALBEQCAG/trac.jpg</image:loc>
      <image:title>Partners</image:title>
      <image:caption>Co-sponsoring a session of academic papers at The Representational Art Conference 2019 with a focus on esoteric art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1526666675386-MRY1FOMBEMP1CVM3RKGZ/American_jewish_university_seal.svg.png</image:loc>
      <image:title>Partners - Creates joint programming with Project AWE.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419263736101-MW6FXF9794U0V7EI2X3X/GLOBAL+CIN.jpg</image:loc>
      <image:title>Partners - Global Cinematography Institute:</image:title>
      <image:caption>Hosts Project AWE presenting special Art series of lectures for cinematography students.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418707280747-NPVWDXZHJ43CQVXI2V39/GENESIS.jpg</image:loc>
      <image:title>Partners - Genesis Philanthropy:</image:title>
      <image:caption>Awards Project AWE with a grant in support of contemporary art practice raising issues of identity and heritage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418706764102-3H1IQL86DZ8JIGWUSU12/ISRAEL.jpg</image:loc>
      <image:title>Partners - THE JEWISH AGENCY FOR ISRAEL:</image:title>
      <image:caption>Awards Project AWE with a grant in support of contemporary art practice raising issues of identity and heritage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438115278352-0CFWJGLXSI6GE1R7NJ6D/Full-RC-Logo-11-268x300.jpg</image:loc>
      <image:title>Partners - Roosevelt Center:</image:title>
      <image:caption>Supports Young Artist Program (Y.A.P.). at Project AWE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418677313327-LSRO5W946MRIOR3ZPLAT/LGBT.jpeg</image:loc>
      <image:title>Partners - LGBT CENTER COLLABORATION:</image:title>
      <image:caption>project AWE develops programming with LGBT Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1428707185993-YZZ1KECFUMAUBFE7BLT3/LGBT+white.jpg</image:loc>
      <image:title>Partners - LA LGBT CENTER:</image:title>
      <image:caption>Creates joint programming with Project AWE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418677305554-5JHL9TPWTYQS431T8XGR/CC3+2.jpg</image:loc>
      <image:title>Partners - CENTER FOR CONSCIOUS CREATIVITY:</image:title>
      <image:caption>Features Project AWE innitiatives.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/mission</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1422031304513-CZRW0HEQ4YGFYETZBUWR/Georges_de_La_Tour_009.jpg</image:loc>
      <image:title>AWE Mission - THE PAST</image:title>
      <image:caption>project AWE offers Invisible Museum Tours an art journey to museums led by artists, scholars, &amp; experts in the fields of Art, History, &amp; Esotericism creating unforgettable experiences that change the way we look and interact with art. Plan your AWE Museum visit here...</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424368775642-OEE7B859CHCE0KDNC4QI/Titian_-_Allegorie_der_Zeit.jpg</image:loc>
      <image:title>AWE Mission</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1422032592196-1OCGK896QSSVPXCDMWQX/_M130447_1+hands+on+belly.jpg</image:loc>
      <image:title>AWE Mission - THE PRESENT</image:title>
      <image:caption>project AWE promotes creativity in visual, literary, and music arts. Programs and collaborations are supported by grants including The Jewish Federation of Greater Los Angeles, Genesis Philanthropy Group &amp; The Jewish Agency for Israel. Explore AWE projects here...</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1422031364377-BS33GKO58NF2T48XVOHE/palette.jpg</image:loc>
      <image:title>AWE Mission - THE FUTURE</image:title>
      <image:caption>project AWE launched the Young Artist Program (Y.A.P.) to create a support system for young talent &amp; to raise scholarship funds helping the students transition to Art College – making it possible for their dreams to become a career.  Sign up for the Y.A.P. courses here...</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/awe-scholars</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519318144506-4WN6OIQOQJ4UTWKQDKGD/Pinchas+Giller.jpg</image:loc>
      <image:title>Scholars - Dr. Pinchas Giller</image:title>
      <image:caption>Dr. Pinchas Giller was brought up in Cocoa Beach, Florida. He was ordained at Yeshiva University and received his doctorate at the Graduate Theological Union, Berkeley. Rabbi Giller has written extensively on Judaism and his field of expertise, Jewish Mysticism or Kabbalah. He has written four books, The Enlightened Will Shine: Symbolism and Theurgy in the Later Strata of the Zohar (State University of New York Press, 1993), Reading the Zohar (Oxford University Press 2000),  Shalom Shar’abi and the Kabbalists of Beit El (Oxford University Press 2000) and Kabbalah: A Guide for the Perplexed (Continuum Press; 2012). He has also edited Beur Moshe al ha-Torah, a Bible commentary by his great-great Grandfather, the Vilna grammarian Moses Reicherson. Dr. Giller is chairman of the Jewish Studies department of the American Jewish University, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519318144506-4WN6OIQOQJ4UTWKQDKGD/Pinchas+Giller.jpg</image:loc>
      <image:title>Scholars - Dr. Pinchas Giller</image:title>
      <image:caption>Dr. Pinchas Giller was brought up in Cocoa Beach, Florida. He was ordained at Yeshiva University and received his doctorate at the Graduate Theological Union, Berkeley. Rabbi Giller has written extensively on Judaism and his field of expertise, Jewish Mysticism or Kabbalah. He has written four books, The Enlightened Will Shine: Symbolism and Theurgy in the Later Strata of the Zohar (State University of New York Press, 1993), Reading the Zohar (Oxford University Press 2000),  Shalom Shar’abi and the Kabbalists of Beit El (Oxford University Press 2000) and Kabbalah: A Guide for the Perplexed (Continuum Press; 2012). He has also edited Beur Moshe al ha-Torah, a Bible commentary by his great-great Grandfather, the Vilna grammarian Moses Reicherson. Dr. Giller is chairman of the Jewish Studies department of the American Jewish University, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1590122620321-URGQG0HQQZ8G1DTM0JBO/Michael+Coughlin.jpg</image:loc>
      <image:title>Scholars - Dr. Michael Coughlin</image:title>
      <image:caption>Dr. Michael Coughlin is an Art and Architectural Historian, and practicing artist. His research focuses on the interception between art, architecture, myth and philosophy in the sixteenth century in Italy and beyond. His first book, From Mythos to Logos: Andrea Palladio, Freemasonry and the Triumph of Minerva – published by Brill in 2019 – explores how myth was used to encode sixteenth-century works of architecture and their frescoed interiors with Logos – providing powerful insights that promote a way of being in the world, where peace, tolerance and freedom are the greatest hallmarks of society. The book also proposes an origin of Freemasonry, and demonstrates how the Brotherhood took root in Italy before making its way north of the Alps. Michael is also the author of The Leaning Tower of Pisa, a work of historical fiction about an artist in the court of Lorenzo de’ Medici that advances a theory about the indentity of the author and ilustrator of the famous Hypnerotomachia Poliphili, published in Milan in 1499.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1526497611974-F2FTQR4F5PF7Y2CLHZNC/7679_morlok_elke.jpg</image:loc>
      <image:title>Scholars - Dr. Elke Morlok</image:title>
      <image:caption>Dr. Elke Morlok holds a position at the Institute of Judaic Studies at Goethe University Frankfurt and is a LOEWE postdoctoral fellow specializing in "Religious Positioning in the Context of Salvific Expectations among Jews and Christians towards the End of Time". After studying Protestant theology and Jewish studies in Tübingen and Heidelberg, she obtained an MA in Jewish Civilization and Jewish Thought at the Hebrew University Jerusalem. She received her doctorate on "Rabbi Joseph Gikatilla's Hermeneutics" under the guidance of Professor Moshe Idel. Dr. Morlok participated in the DFG project "Cultural Transfer in New Style: The Renaissance Preacher Yehuda Moscato" at the Martin-Luther University Halle-Wittenberg. She was a research associate at the College of Jewish Studies in Heidelberg and at the Department of Jewish Studies at Johannes Gutenberg University. She has also held various teaching assignments in Basel, Salzburg, and Tübingen. Dr. Morlok is currently editing her book on Isaac Satanow (1732-1804), a Jewish thinker of the early modern period of the Jewish Enlightenment focusing on Kabbalah.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1599582784705-7WSB6C66RAPY1CQHTABC/1933957_266269015014_5678080_n.jpg</image:loc>
      <image:title>Scholars - Dr. David Harrison</image:title>
      <image:caption>Dr. David Harrison is a UK based Masonic historian who has so far written nine books on the history of English Freemasonry and has contributed many papers and articles on the subject to various journals and magazines, such as the AQC, Philalethes Journal, the UK based Freemasonry Today, MQ Magazine, The Square, the US based Knight Templar Magazine and the Masonic Journal. Harrison has also appeared on TV and radio discussing his work. Having gained his PhD from the University of Liverpool in 2008, which focused on the development of English Freemasonry, the thesis was subsequently published in March 2009 entitled The Genesis of Freemasonry by Lewis Masonic. The work became a best seller and is now on its third edition. Harrison’s other works include The Transformation of Freemasonry published by Arima Publishing in 2010, the Liverpool Masonic Rebellion and the Wigan Grand Lodge also published by Arima in 2012, A Quick Guide to Freemasonry which was published by Lewis Masonic in 2013, an examination of the York Grand Lodge published in 2014, Freemasonry and Fraternal Societies published in 2015, The City of York: A Masonic Guide published in 2016, and a biography on 19th century Liverpool philanthropist Christopher Rawdon which was published in the same year.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519252826520-5HA7APDOXS91YW7CXCUM/Chris.jpg</image:loc>
      <image:title>Scholars - Dr. Christopher McIntosh</image:title>
      <image:caption>Dr. Christopher McIntosh is that rara avis, a scholar who is also a fiction writer, an artist, a romantic dreamer and a connoisseur of the bizarre and the other-worldly. He was born in England in 1943 and grew up in Edinburgh, Scotland. He studied philosophy, politics and economics at Oxford and German at London University, later returning to Oxford to take a doctorate in history with a dissertation on the Rosicrucian revival in the context of the German Enlightenment and Counter-Enlightenment. After working in London in journalism and publishing he spent four years in New York as an information officer with the United Nations Development Programme, then moved to Germany to work for UNESCO. In parallel he has pursued a career as a writer and researcher specialising in the esoteric traditions. His books include The Astrologers and their Creed (1969); Eliphas Lévi and the French Occult Revival (1972); The Rosicrucians (latest edition 1997); The Rose Cross and the Age of Reason (1992), based on his D.Phil. dissertation; The Swan King: Ludwig II of Bavaria (latest edition 2003); and Gardens of the Gods (2005). His fictional work includes the occult novel Return of the Tetrad (2013), the spy thriller The Lebensborn Spy (2017) and the short story collections Master of the Starlit Grove (2014), The Wyrde Garden (2015) and The Sorceress of Agartha (2017). With his wife, Dr. Donate McIntosh, he produced a new translation of the Rosicrucian Fama Fraternitatis (2014). He has lectured widely and was on the faculty of the distance M.A. programme in Western Esotericism at the University of Exeter, England. His home is in Bremen, North Germany.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1442525705941-A5U50GQNPSLZ1XZM8MCR/andreas+brick.jpg</image:loc>
      <image:title>Scholars - Dr. Andreas Önnerfors</image:title>
      <image:caption>Dr. Andreas Önnerfors  is an Associate Professor and Reader in intellectual history at the University of Gothenburg in Sweden. Additionally, Dr. Önnerfors is a Research Associate at the Centre for Fascist, Anti-fascist and Post-fascist Studies at the Teesside University, UK. On behalf of the German state government and a Nordic inter-governmental research organization Dr. Önnerfors carried out surveys on PhD education. Lund university library employed Andreas Önnerfors for a project of provenance in their rare book collections. He is a member of the European Academy of Sciences and Arts in Salzburg, Austria. Dr. Önnerfors research interests focus mainly on expressions of early modern fraternalism, in particular initiatory societies, the intellectual history of the enlightenment between public and secret spaces and of trans-national cultural encounters.  Photo credit:  Elin Widfeldt</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438017115878-MOFJPER4Y0E6FLYLZNVX/maykapar.jpg</image:loc>
      <image:title>Scholars - Alexander Maykapar</image:title>
      <image:caption>Alexander Maykapar is a renowned Russian harpsichordist, organist and pianist, grandson of the famous composer and pianist Samuel Maykapar, who combines a dense concert schedule with extensive writing, translation and teaching work. Having graduated from the Gnessin Russian Academy of Music as a pianist and from the Moscow Conservatory as an organist, he has been performing since 1970, with an emphasis on early music. In his concerts, research, teaching and editing activities, J.S. Bach stands out as one of the central figures; he has performed Bach’s complete harpsichord music (15 concerts), as well as that of François Couperin (8 concerts), and all keyboard works by Joseph Haydn. The English record label Olympia published five CDs by Maykapar in The Origins of Russian Piano Music series. Alexander is the author of over two hundred works on music history, the art of performance, painting, and musical iconography, in which he reveals the deeper hidden meanings of famous masterpieces. His translations into Russian include such important works as Wanda Landowska’s book On Music (1991, 2nd ed. 2005), Bach’s Ornaments by Walter Emery (1996), and the Dictionary of Subjects and Symbols in Art by James Hall (1996), followed by Alexander’s own work in the field of symbology and iconography – a popular compendium New Testament in Art (1997). Alexander currently lectures at music schools and colleges, and performs in concert cycles under the umbrella name The Anthology of Harpsichord Music: the year 2014 was dedicated to Couperin, and in the 2015-16 season, Alexander is going to play 200 sonatas by Scarlatti. His most recent published work is the two-volume essay collection The Facets of Classical Music (2013-14) in which he explores a vast range of subjects and periods, from the musical culture of Ancient Egypt through Renaissance and Baroque periods and up to Thomas Mann’s novel Doctor Faustus, offering an unusual comparative approach and illuminating the reader with unexpected revelations along the way.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519696631750-2LAPKVAP461TAXPB7OO6/Trevor+Luke.jpg</image:loc>
      <image:title>Scholars - Dr. Trevor Luke</image:title>
      <image:caption>Dr. Trevor Luke is an Associate Professor of Ancient History and Classics at Florida State University in the United States. His research focuses on the role of religion in Roman imperial politics and society from the Late Republic to the third century CE. His first book, Ushering in a New Republic: Theologies of Arrival at Rome in the First Century BCE (University of Michigan Press, 2014), explored the staging and narration of divine involvement in the arrivals of the great commanders from Sulla to Augustus at Rome. His current book project, Healing and Empire, will elucidate the Roman emperor’s role as healer. Dr. Luke researches the ancient roots of Western Esotericism as well as the reception of antiquity in Western Esotericism. His interest in this field was initially sparked by childhood visits to the George Washington Masonic National Memorial, which architect Harvey Wiley Corbett modeled on the ancient Pharos of Alexandria. Dr. Luke has also delivered public lectures on esoteric aspects of the career of Joseph Smith, Jr., the founder of Mormonism.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438017103033-OZEVCB2AHHIRKHSC0BR8/Jean+Michel.jpg</image:loc>
      <image:title>Scholars - Jean-Michel Mathonière</image:title>
      <image:caption>Jean-Michel Mathonière was initially trained as a designer in building and civil engineering. His early passion for cathedral builder’s traditions resulted today in him being recognized as a specialist in the history of craft guilds and journeymen stonemasons in France. Jean-Michel has published numerous articles and books on these subjects, including the prehistory of Freemasonry, stonecutter’s marks, and printer’s emblems of the 15th and 17th centuries. Jean-Michel is a founder of the Study Center in Avignon, France.  He has organized various exhibitions on stereotomy and journeymen stonecutters and on other various related topics to the themes of compagnonnage and architecture. In 2017, Jean-Michel was awarded Ordre des Palmes académiques (Order of Academic Palms) a national order of France for distinguished academics and figures in the world of culture and education.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1659044229314-TUN4WU0H04GG0TWJ5O0F/Michael_Pearce.jpg</image:loc>
      <image:title>Scholars - Dr. Michael Pearce</image:title>
      <image:caption>Michael Pearce, Phd, is an associate professor at California Lutheran University in Thousand Oaks, where he teaches figurative drawing and painting. In 2010 he introduced an atelier-style system to the CLU Art Department, in which each faculty member was provided with their own studio space on campus, welcoming their students to study alongside them as they lead by example in the production of their own work. He served as Chair of the Art Department between 2008 - 2013. Between 2005 - 2016 Pearce was curator of CLU's Kwan Fong Gallery where his programming emphasized the work of representational artists and interdisciplinary exhibits. In December 2014 the California Art Club named Pearce "man of the year" and presented him with the William &amp; Julia Bracken Wendt Award for his service to representational art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/awe-members</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1596657278481-QF4W41IU909HE59HNEGU/elisabetta.jpg</image:loc>
      <image:title>Contributing Members - Elisabetta Setzu, Project Specialist (2020)</image:title>
      <image:caption>Elisabetta Setzu has obtained her Master’s Degree in Art History and Philosophy from the University of Bologna with a thesis in Psychology of Art, "Kandinsky and the Synesthesia”, which was published as an academic book by Edizioni Accademiche Italiane. Since then, she has been working as an art historian and curator for international art galleries both in Europe and the USA. Currently, she is curating a travelling exhibition and catalog on Rembrandt’s religious etchings.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1596657278481-QF4W41IU909HE59HNEGU/elisabetta.jpg</image:loc>
      <image:title>Contributing Members - Elisabetta Setzu, Project Specialist (2020)</image:title>
      <image:caption>Elisabetta Setzu has obtained her Master’s Degree in Art History and Philosophy from the University of Bologna with a thesis in Psychology of Art, "Kandinsky and the Synesthesia”, which was published as an academic book by Edizioni Accademiche Italiane. Since then, she has been working as an art historian and curator for international art galleries both in Europe and the USA. Currently, she is curating a travelling exhibition and catalog on Rembrandt’s religious etchings.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1499442529247-ERY1PSS018UDC0XNRUT4/street+photo.jpg</image:loc>
      <image:title>Contributing Members - Mauricio Oviedo, Intern (2019)</image:title>
      <image:caption>Mauricio Oviedo is an art historian whose work has been oriented to the function of images in cultural transformations throughout history. He received his masters in Religious Studies, with a specialization in Western Esotericism from the University of Amsterdam. He earned a BA in Art History, from the University of Costa Rica. Currently he is a PhD candidate in the Department of Christianity and the History of Ideas of the University of Groningen. Oviedo has done research in Theory of Art; 15th and 16th century European Art (Italian, Dutch and German art); astrological images, and 19th century cultural markets in Central America. His current research is focused on Colonial Art, Dutch and German emblem books’ production, and German visual culture connected to mysticism, from the 17th and 18th century.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1603311730390-9TDV61L7DUSJYFVWBVDG/Susie.jpg</image:loc>
      <image:title>Contributing Members - Susan A. Mandel, MD FACP, AWE Advocate</image:title>
      <image:caption>Dr. Mandel is a board-certified Internal Medicine physician in private practice in Beverly Hills. In addition to the healing arts, she has had a lifelong interest in the Tarot and its symbolic representations, as well as the metaphysical/mystical and in exploring the nature of existence and reality. Dr. Mandel is on the medical staff of Cedars-Sinai Medical Center, and an Associate Clinical Professor at David Geffen School of Medicine at UCLA where she teaches medical students. She is a Fellow of the American College of Physicians. She is dedicated to charitable work and to the integration of the Western and Eastern approaches to medicine. Prior to entering private practice, she served for thirteen years as the Medical Director of the Los Angeles Free Clinic (currently known as Saban Community Clinic) providing comprehensive free health services for the uninsured or underinsured. While at the clinic, she applied for and received a grant to start an Integrative Medicine and Wellness Program on-site. Patients were able to access such services as Traditional Chinese Medicine acupuncture/Chinese herbs, homeopathy, and wellness programming. She has studied Spiritual Medicine and is a Reiki Practitioner. Dr. Mandel received numerous awards for her work at the clinic, including the Los Angeles County Woman of the Year by LA County Board of Supervisors. Buzz Magazine named her as one of the Buzz 100: 100 Coolest People in LA. She currently serves on the board of the Lung Cancer Foundation of America and on the Quality Improvement Committee of the Saban Community Clinic.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1472659605696-6B8GHIKNEQHRE0LS1EZ1/Gypsy-headshot-08-16.jpg</image:loc>
      <image:title>Contributing Members - Gypsy van Melle Seaton, Project Specialist (2018)</image:title>
      <image:caption>Gypsy van Melle Seaton discovered her passion for Western Esotericism through her lifelong fascination with art and design. Her particular interest in the junction between art, mathematics and esotericism developed while she was studying Product Design at the Amsterdam University of Applied Sciences. The creative and technical aspects of her background as a designer have provided her with an original perspective within the academic framework of Western Esotericism. She has completed her Bachelor of Arts in Religious Studies with a minor in Western Esotericism at the University of Amsterdam (UVA) and is continuing her studies at the UVA’s graduate program for a Master of Arts in Theology and Religious Studies: Western Esotericism. In 2017 Gypsy joined Project AWE’s team as a research assistant for the internship program.  She has subsequently taken on an important position as Project Specialist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438627918445-VA75QZKRRV2NJ589S6ZC/Sasha+Chaitow.jpg</image:loc>
      <image:title>Contributing Members - Dr. Sasha Chaitow, Cultural Historian (2017)</image:title>
      <image:caption>Sasha Chaitow, PhD, is a British-Greek independent scholar, cultural historian, and artist. Her doctoral research (University of Essex) comprises a full scale review of the life and work of visionary author and occultist Joséphin Péladan. Her interest in the interdisciplinarity and the intersection between esotericism and culture led to an MA in English Literature (University of Indianapolis, 2004) and a second MA in Western Esotericism (EXESESO, Exeter, 2008). Sasha was assistant visiting professor in Religious Studies and History at the University of Indianapolis Athens 2008-2012, and founding director of Phoenix Rising Academy, an independent educational enterprise dedicated to introducing the academic study of Western Esotericism to a general audience. She has directed and lectured at international conferences and colloquia in the UK, Greece, and the US. Sasha has contributed articles and chapters to books on Freemasonry, Initiation, Synaesthesia, Methodology in the Study of Esotericism, Art and Esotericism, and Esotericism and Politics, and has published a monograph on Péladan (Daidaleos Books, Salonica, 2013).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519339142617-IMKQYC7AMJKCORK4NV2X/dario.JPG</image:loc>
      <image:title>Contributing Members - Dario Mellado, Producer</image:title>
      <image:caption>Dario Mellado is an artist, filmmaker, and producer. Mellado’s work includes a twenty-year ongoing study of “America’s Decaying Suburban Experience”. He focuses on the post second world war suburban explosion and it’s environmental, social, and spiritual implications. Mellado’s background in social activism including work coordinating the Independent Living Program in the San Fernando Valley (a vocational and counseling program for “at risk youth” and foster children) and time spent as a Vocational Counselor and Advocate for teens with Autism and Asperger’s solidified Mellado’s idea and use of an art’s function as an influential “tool for social change”. His recent documentary “Nuclear Cowboys” addresses environmental concerns and raises awareness of local health crises.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1592855518121-55Y1PAQJ1JI52LK3SIUE/Photo+-+AWE.jpg</image:loc>
      <image:title>Contributing Members - Felipe Pazello, Project Assistant</image:title>
      <image:caption>Felipe Pazello is an English-Portuguese translator from Brazil. He holds a Master's degree in Physics. Felipe is assisting Project AWE with the research for the up-coming Albrecht Dürer's book publication.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438909196834-VPP1A0SZ6ERFQPRFYGHC/lindsay.jpg</image:loc>
      <image:title>Contributing Members - Lindsay LaChapelle Mellado, Media &amp; Marketing Director</image:title>
      <image:caption>Lindsay LaChapelle Mellado is a talented Filmmaker and a Producer.  She is working on a TV pilot for Project AWE series.</image:caption>
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      <image:title>Contributing Members - Dr. Boris Komarov, Mathematician</image:title>
      <image:caption>Dr. Komarov serves as a mathematics consultant to project AWE.  He is known for his software expertise and enjoys extreme challenges.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438018752057-KBRZ36X2IWPK29N2E127/yana.jpg</image:loc>
      <image:title>Contributing Members - Yanina Gotsulsky, Writer &amp; Editor</image:title>
      <image:caption>Yanina Gotsulsky is a writer and translator, whose work has appeared in national and international publications.  Yanina has a degree in Russian Literature from York University in Toronto.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1522173714205-415HS9V9FF0POFHVN28Y/corine%2Bphoto.jpg</image:loc>
      <image:title>Contributing Members - CORINE COUWENBERG, GALLERY DIRECTOR</image:title>
      <image:caption>Corine Couwenberg, managing partner of Full Circle Entertainment Group (FCEG) was named Director of the Project AWE Gallery by its founders Zhenya Gershman and John Slifko shortly after its inception in 2015.  Corine brings over 25 years of experience in the arts and entertainment field to the AWE team, by adding marketing, financial development and exhibition opportunities to its internal dynamic.  As a student of both the arts and Western esotericism, she is uniquely qualified to lead the Galley into the future while utilizing her extensive background in the non-profit arena as a cornerstone to insuring its viability and growth in the present.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438650894926-I4ONZHF6M0LH0TMF5O80/caroline.jpg</image:loc>
      <image:title>Contributing Members - Caroline Stover, Writer</image:title>
      <image:caption>Caroline Stover is a resident of Atlanta, GA. who works in publishing and artist representation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438020400709-YBO3DJMWALFY2KRDVBES/Pompeyo+Cepeda.jpg</image:loc>
      <image:title>Contributing Members - Pompeyo Cepeda, Volunteer</image:title>
      <image:caption>Pompeyo Cepeda has generously dedicated his time to volunteering for AWE special events and projects.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438019022004-KWRNLKHI012AN4JP2BWV/dario.JPG</image:loc>
      <image:title>Contributing Members - Dario Mellado, Producer</image:title>
      <image:caption>Dario Mellado is an artist, filmmaker, and producer. Mellado’s work includes a twenty-year ongoing study of “America’s Decaying Suburban Experience”. He focuses on the post second world war suburban explosion and it’s environmental, social, and spiritual implications. Mellado’s background in social activism including work coordinating the Independent Living Program in the San Fernando Valley (a vocational and counseling program for “at risk youth” and foster children) and time spent as a Vocational Counselor and Advocate for teens with Autism and Asperger’s solidified Mellado’s idea and use of an art’s function as an influential “tool for social change”. His recent documentary “Nuclear Cowboys” addresses environmental concerns and raises awareness of local health crises.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/team-awe</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519338407885-4EH3CI0HKRW0MRO7E55I/john.jpg</image:loc>
      <image:title>Board of Directors - Dr. John Slifko, Co-Founder</image:title>
      <image:caption>John Slifko, PhD, has dedicated his work to issues around the world for democratic civil societies with major contributions to global efforts in improving the education of young women.  Dr. Slifko has worked for the Los Angeles City Council and United States Congress, engaging in environmental issues and technology policy.  He is a founding member and on the Board of Advisers at the Hannah Mather Crocker Society, Notre Dame University, and C3 Advisory Group.  He is also a co-Director of the Roosevelt Center for the Study of Civil Society and Freemasonry. He has contributed to international publications on numerous subjects, including “The Moral Imagination of an Informed Citizenry, Crocker, Hall and Freemasonry”, “A Historical Geography of Louis Goaziou and the Early Years of  L’Ordre Masconnique Mixte et International ‘Le Droit Humain’”, “American Federation of Human Rights: the Significance of the Industrial Monongahela Valley of Western Pennsylvania”, and “Worlds of Print: The Moral Imagination of an Informed Citizenry, 1734 to 1839”. Dr. Slifko is a co-Founder of project AWE.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519338407885-4EH3CI0HKRW0MRO7E55I/john.jpg</image:loc>
      <image:title>Board of Directors - Dr. John Slifko, Co-Founder</image:title>
      <image:caption>John Slifko, PhD, has dedicated his work to issues around the world for democratic civil societies with major contributions to global efforts in improving the education of young women.  Dr. Slifko has worked for the Los Angeles City Council and United States Congress, engaging in environmental issues and technology policy.  He is a founding member and on the Board of Advisers at the Hannah Mather Crocker Society, Notre Dame University, and C3 Advisory Group.  He is also a co-Director of the Roosevelt Center for the Study of Civil Society and Freemasonry. He has contributed to international publications on numerous subjects, including “The Moral Imagination of an Informed Citizenry, Crocker, Hall and Freemasonry”, “A Historical Geography of Louis Goaziou and the Early Years of  L’Ordre Masconnique Mixte et International ‘Le Droit Humain’”, “American Federation of Human Rights: the Significance of the Industrial Monongahela Valley of Western Pennsylvania”, and “Worlds of Print: The Moral Imagination of an Informed Citizenry, 1734 to 1839”. Dr. Slifko is a co-Founder of project AWE.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519319980662-44E2L7ZASZO93321PH7H/Zhenya+Gershman+Headshot+1.jpg</image:loc>
      <image:title>Board of Directors - Zhenya Gershman, Co-Founder &amp;amp; Executive Director</image:title>
      <image:caption>Zhenya Gershman, MFA, is an art historian, artist and museum educator. As a co-Founder of Project Awe she has dedicated her scholarly and charitable work to examine the influence of Esotericism on the Arts. Gershman seeks to provide new dimensions to understanding and experiencing the cultural icons of Western European heritage. Gershman’s specific area of study and expertise is in the life and work of Rembrandt and Dürer. In her pioneering article Rembrandt: Turn of the Key, published by Arion and featured by Huffington Post, Gershman was able to reveal the evidence for Rembrandt’s involvement with the early pre-Grand Lodge Freemason fraternity, bringing new light to understanding of this great master. She has worked for over a decade in the internationally acclaimed J. Paul Getty Museum, and has contributed to such exhibitions as Rembrandt's Late Religious Portraits and Rembrandt: Telling the Difference. Gershman’s groundbreaking discovery regarding the presence of a hidden Rembrandt self portrait was published by Arion, Boston University and was brought to European audiences by Le Monde. Her essay Dürer’s Enigma: A Kabbalistic Revelation in Melencolia §I showing the link between Dürer and Kabbalah was published by Brill Journal Aries in 2018. Gershman was selected as 2020 Royal Talens North America Ambassador. She is currently working on co-authoring a book “Secret Gesture of the Heart” and paints and teaches in her art studio in Los Angeles.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438013344362-8IIQ3FR279DCVHDFRIG2/evan.jpg</image:loc>
      <image:title>Board of Directors - Dr. Evan D. Pepper, President</image:title>
      <image:caption>Evan D. Pepper, PhD, is the Chair of Science at West Coast University. He received his Doctorate of Philosophy at University of Southern California.   Dr. Pepper was awarded an NIH Fellowship for gerontological studies and has published extensively on molecular processes that contribute to Alzheimer's disease, antibiotic resistance, and DNA repair.  These studies have implications for treatments of neurological  disorders, infection, and cancer.  Dr. Pepper is also Associate Faculty at Santa Monica College and has taught courses in Microbiology, Public Health Epidemiology, Environmental Science, and Chemistry.  He is a long standing member of the American Society for Microbiology and has presented at Biological conferences throughout the United States.    </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1541783206789-ZBDE8Q1RDTA85QX9ZGGR/Stetka.jpg</image:loc>
      <image:title>Board of Directors - Michael Stetka, CFO/Treasurer</image:title>
      <image:caption>Michael Stetka is a veteran of the United States Marine Corps, a student of philosophy and Western esotericism, and a working professional in banking and finance with strengths in business development and client engagement. This combination of experience and interests produces the wide-ranging convergence by which Michael brings his unique knowledge to Project AWE as the Chief Financial Officer. Michael is proficient with working specifically with non-profit community organizations. Additionally, he has helped the Public Schools Advisory Council in San Francisco by raising scholarship funds for high school students on their way to college, many of whom are the first in their family to pursue higher education. Based in San Francisco, Michael feels a personal responsibility to extend his love and appreciation for the arts from his own family and children to community at large to ensure the arts are both accessible and applicable to all that would seek them out.</image:caption>
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  </url>
  <url>
    <loc>https://www.projectawe.org/news-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1527109928585-E035JJSD81HBBCXP114R/aries.jpg</image:loc>
      <image:title>PRESS - Brill Journal: ARIES 18.2</image:title>
      <image:caption>Dürer’s Enigma: A Kabbalistic Revelation in Melencolia §I Abstract: According to Panofsky’s widely-accepted theory, the subject of Albrecht Dürer’s engraving Melencolia §I (1514) was intended as a feminine personification of the liberal art Geometry and the temperament Melancholy. However, we argue that this synthesized personification is a façade. This formulaic veneer was meant to camouflage a layer of meaning that was only accessible to those who were familiar with the writings of the Christian Cabalists Giovanni Pico della Mirandola and Johannes Reuchlin. The symbolism of Melencolia §I, like that of its counterpart engraving Saint Jerome in his Study (1514), was influenced by Dürer’s interest in Christian Hebraism. Our research findings show that this image can best be understood as a visual interpretation of Pico’s Humanist manifesto Oratio (1486). Viewed from this perspective the main character of Dürer’s Melencolia §I transcends the bounds of the formulaic personification of Melancholy perceived by Panofsky, and transforms into an important figure in Pico’s Oratio, the high angel of Jewish mysticism, Metatron. About Aries and to download the full article click here…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1527109928585-E035JJSD81HBBCXP114R/aries.jpg</image:loc>
      <image:title>PRESS - Brill Journal: ARIES 18.2</image:title>
      <image:caption>Dürer’s Enigma: A Kabbalistic Revelation in Melencolia §I Abstract: According to Panofsky’s widely-accepted theory, the subject of Albrecht Dürer’s engraving Melencolia §I (1514) was intended as a feminine personification of the liberal art Geometry and the temperament Melancholy. However, we argue that this synthesized personification is a façade. This formulaic veneer was meant to camouflage a layer of meaning that was only accessible to those who were familiar with the writings of the Christian Cabalists Giovanni Pico della Mirandola and Johannes Reuchlin. The symbolism of Melencolia §I, like that of its counterpart engraving Saint Jerome in his Study (1514), was influenced by Dürer’s interest in Christian Hebraism. Our research findings show that this image can best be understood as a visual interpretation of Pico’s Humanist manifesto Oratio (1486). Viewed from this perspective the main character of Dürer’s Melencolia §I transcends the bounds of the formulaic personification of Melancholy perceived by Panofsky, and transforms into an important figure in Pico’s Oratio, the high angel of Jewish mysticism, Metatron. About Aries and to download the full article click here…</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418674070557-FVS01SECRBGIAB8QXAY2/BREAKING+NEWS.jpg</image:loc>
      <image:title>PRESS - BREAKING NEWS:</image:title>
      <image:caption>project AWE art initiative SKIN-4 makes breaking News: Read...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418676645778-PNG3YKORC7XZAXCFCLYL/boston_univ_logo_rgb+final.gif</image:loc>
      <image:title>PRESS - BOSTON UNIVERSITY, Arion Publication:</image:title>
      <image:caption>project AWE publishes a groundbreaking discovery: Read...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1424320889536-PFPSR42JSE1I2SNVSD0M/HUF+POST+PNG.png</image:loc>
      <image:title>PRESS - THE HUFFINGTON POST PRESENTS:</image:title>
      <image:caption>Can Art Bring Our Memories Alive? Read...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418676688091-A3F8WQTX8C6ZQO2L7D68/monsters_and_critics+final.jpg</image:loc>
      <image:title>PRESS - MONSTERS &amp; CRITICS REVIEW:</image:title>
      <image:caption>project AWE is to present a paper on Secret Socities at an international conference at the Bibliothèque nationale de France: Read...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418674136122-MRHA3W85KS6QU9A30FPS/Arion19.2_Cover.jpg</image:loc>
      <image:title>PRESS - ARION PUBLICATION:</image:title>
      <image:caption>project AWE publishes new research on Rembrandt: Read...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418674059743-JXCT8L5WT1VMQ3Z4Z5CZ/HUF+POST.jpg</image:loc>
      <image:title>PRESS - FROM THE HUFFINGTON POST:</image:title>
      <image:caption>project AWE launches art initiative SKIN-4: Read...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419265678880-TP2RGQ5GV92FD8PPVYEE/LELLogoFinal+2.jpg</image:loc>
      <image:title>PRESS - LUXECO LIVING REVIEW:</image:title>
      <image:caption>project AWE presents 4-Ways Art Can Bring Our Ancestors Alive: Read...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1432088659528-56WXETZG3LKY5RYMPDPF/image-asset.jpeg</image:loc>
      <image:title>PRESS - The Model Speaks!</image:title>
      <image:caption>On Friday May 15th, a historic event took place at the Los Angeles LGBT Center, recognizing renowned artist's model Mark Snyder with a Lifetime Achievement Award - a first in its kind. Mark Snyder delivered a moving speech on behalf of all models who never had a chance to express the importance of their profession."The Model's Artist," a complementary exhibition on view at Los Angeles LGBT Lily Tomlin/Jane Wagner Cultural Arts Center through June 13th, 2015, reveals a unique 14-year collaboration between artist Zhenya Gershman and model Mark Snyder. This event was produced in collaboration with project AWE, a non-profit organization on a mission to support and explore the arts. Read full speech here...</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2024-08-16</lastmod>
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      <image:title>Home - WELCOME: WHERE ART EQUALS AWE</image:title>
      <image:caption>Image: Gerrit Dou, Astronomer by Candlelight, 1650's, The J. Paul Getty Museum</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1404881915113-LRE4GYRMCT21SXXO5C8V/le-discret-by-ducreux.jpg</image:loc>
      <image:title>Home - INTERPRETING the past + CONTRIBUTING to the present + SHAPING the future</image:title>
      <image:caption>Image: Joseph Ducreux, Le Discret, c.1790, Spencer Museum of Art, University of Kansas</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418366963741-FJN7H1EJXEGSVOXWNFLS/Juliana+in+the+studio.jpg</image:loc>
      <image:title>Home - Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Project AWE Helps Young Artists Find Their Voices</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418366691598-LN9EV3EFKLX9IQ0PB73Y/_G3A8573_2+%282%29+painting+hand.jpg</image:loc>
      <image:title>Home - Projects in Contemporary Art</image:title>
      <image:caption>AWE Creates a Living Art Link</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1404882015534-EXMTQXQ74ZJE5360DQ18/key+whole.JPG</image:loc>
      <image:title>Home - AWE provides keys to unlock new depths of Western European cultural icons</image:title>
      <image:caption>Find out about "Invisible" Museum Tours...</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419142577710-YQPIY4V7QWQI446KES0N/Jan_Vermeer_van_Delft_014.jpg</image:loc>
      <image:title>Home - IN MEMORY of Leonid Matsikh &amp;amp; Dame Frances A. Yates</image:title>
      <image:caption>Image: Johannes Vermeer, The Music Lesson, c. 1662, Royal Collection, St. James's Palace, London</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1405025742276-A17K4AUMLY5OG5JE5VWN/Leonardo_da_Vinci_-_Virgin_of_the_Rocks_SMALLER.jpg</image:loc>
      <image:title>Home - Join us in search of new and inspiring art evidence demonstrating esoteric ideas across time</image:title>
      <image:caption>Image: Leonard da Vinci, Madonna of the Rocks, c. 1491/2-9 &amp; 1506-8, National Gallery, London</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1519336572764-V4XDEV5OAI9AX9Z1Y7YE/Titian_-_Allegorie_der_Zeit.jpg</image:loc>
      <image:title>Home - Explore the new ideas and discoveries on our blog</image:title>
      <image:caption>Image: Titian, Allegory of Prudence, 1565-70, National Gallery, London</image:caption>
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  </url>
  <url>
    <loc>https://www.projectawe.org/news</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-04-10</lastmod>
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      <image:title>AWE News</image:title>
      <image:caption>Image: Hans Holbein, Portrait of Erasmus (detail), 1523, Musée du Louvre</image:caption>
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      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
      <image:caption>Piano recital benefiting Young Artist Program (Y.A.P.)</image:caption>
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      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
      <image:caption>Piano recital benefiting Young Artist Program (Y.A.P.) On stage: A Portrait by Hannah Drew (16 years old)</image:caption>
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      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
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      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418336954365-HZR5B3ZXY5R4WX6BCTBQ/polina+3.jpg</image:loc>
      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
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      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
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      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
      <image:caption />
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      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
      <image:caption />
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      <image:title>AWE News - POLINA OSETINSKAYA</image:title>
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  <url>
    <loc>https://www.projectawe.org/contact</loc>
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    <lastmod>2022-01-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1403734112265-RE1GAK3EW5WT5PIR2BOO/Vermeer_1667_Lady-with-Her-Maidservant-Holding-a-Letter.jpg</image:loc>
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  <url>
    <loc>https://www.projectawe.org/projects</loc>
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    <lastmod>2018-11-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1422046431094-FISBH9ETDXDLWJOAW2RH/HAND.jpg</image:loc>
      <image:title>AWE Projects</image:title>
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    <image:image>
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      <image:title>AWE Projects - An image source for painting the past on a 9 month pregnant woman's belly.</image:title>
      <image:caption>Sasha &amp; her Grandfather Seva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1421898430462-OY0W86JGOW5HLS54M56O/_M130540+grandpa+sm.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1421898513244-BVJD0JLWUHJSBR064ZZ3/_M130741+see+through+sm.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
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    <image:image>
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      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1421898424130-CCZX1UHWD4JL9HYJLTLS/_M130195+painting+baby+face+1+sm.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1421898425506-5AZ62K6KMU1Y30OHMLYP/_M130353+painting+baby+face+2+hand+sm.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1421898517656-SW0OPJ0Q339EV0Z5A7XI/_MG_0577+whiping+smaller.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1422046136044-ZI07B9KS0A7DYDLGP1AC/EYE.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1421898429188-XB94R3N9LMYOTHFZ3429/_M130447_1+hands+on+belly+sm.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1421897879182-W0GMX3LDLTLE1BOR1Y4H/1.jpg</image:loc>
      <image:title>AWE Projects - This image served as a reference point for painting and animating two Russian sisters on the skin of their relative.</image:title>
      <image:caption>Two sisters: Annabel's aunts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418350767232-K0PA6TORJB4TQL7FR78X/_G3A8573_2+%282%29+painting+hand.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418350779964-YMEAZY6W9SR144ZD8IHG/detail+back+face.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418350814881-LQ9C66YS0LV9FWG0TZKE/_G3A8525_1_1+%282%29.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418350903165-QJ01ZLY8S2ZS8E0YDO02/_G3A8511+%282%29.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418350820660-S0HMNQV6MYCUFFRHMYBM/_G3A8580+%283%29+BRUSH+smaller.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418350849455-SSXAX00U9VP68AFM0IU4/_G3A8650+%282%29.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418350861777-BWNEPQAU8GI42WX4CAGN/_G3A8656+%282%29+back+cropped+z.jpg</image:loc>
      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
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    <image:image>
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      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography, Zhenya Gershman Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1421897802538-SYRW2MV6GEIJIK0NFCMP/DRIPS.jpg</image:loc>
      <image:title>AWE Projects</image:title>
    </image:image>
    <image:image>
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      <image:title>AWE Projects</image:title>
      <image:caption>Michele Mattei Photography (detail), painted by Zhenya Gershman on skin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1415235115735-DHF8X76D0RHGTT3D58AO/image-asset.jpeg</image:loc>
      <image:title>AWE Projects</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/press</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418674740938-ODB8T2BVVE6JS8KMVTFZ/printing_press_pub-house.jpg</image:loc>
      <image:title>AWE Press</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/museum-tours</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1404082464876-G9FK8HS382YPZDWFGR1M/MUSEUM+Frans_Francken_%28II%29%2C_Kunst-_und_Rarit%C3%A4tenkammer_%281636%29.jpg</image:loc>
      <image:title>AWE Museum Tours</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1415233961188-RELFUKXJIGWPOLLFQ67I/Georges_de_La_Tour_009.jpg</image:loc>
      <image:title>AWE Museum Tours</image:title>
      <image:caption>George de La Tour, The Penitent Magdalene, detail,  1625-1650, Wrightsman Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1419177918628-N50ZTZHV7LOFTZZRY143/Templeofrosycross.png</image:loc>
      <image:title>AWE Museum Tours - Invisible College of the Rosy Cross</image:title>
      <image:caption>Emblematic image of a Rosicrucian College; illustration from Speculum sophicum Rhodo-stauroticum, a 1618 work by Theophilus Schweighardt. Frances Yates identifies this as the "Invisible College of the Rosy Cross"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1396381956122-UD1P25Q7QWLIRQ1B6WED/Melencolia_I_%28Durero%29.jpg</image:loc>
      <image:title>AWE Museum Tours - Albrecht Dürer, Melencolia, 1514</image:title>
      <image:caption>In this iconic print  Albrecht Dürer used a Magic Square to code a secret message</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1396381363626-1I7YB24X2A7459YVYQ1F/Amor_Vincet_Omnia.jpg</image:loc>
      <image:title>AWE Museum Tours - Caravaggio, Amor Vincit Omnia, c. 1601</image:title>
      <image:caption>Look for carefully camouflaged entwined Masonic symbol of square and compass</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1396381335852-TIO44MFP2O2D4CMQ6X8N/Rembrandt_-_Belshazzar%27s_Feast_-_WGA19123.jpg</image:loc>
      <image:title>AWE Museum Tours - Rembrandt, Belshazzar's Feast , 1635</image:title>
      <image:caption>Rembrandt used the Hand of God (Manus Dei) to communicate with the viewer in this mysterious painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1396576126796-FPCC0Y5SQCAAKU2UAY5Q/Rembrandt+_The+Alchemist_1650.jpg</image:loc>
      <image:title>AWE Museum Tours - Rembrandt, The Alchemist, c. 1652</image:title>
      <image:caption>Rembrandt combined his knowledge of Alchemy, Cabala, and Freemasonry to create his own coded message to be read using a mirror and an open mind</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1396653703641-AT3I9B8IOIUZAV2ZHC02/messerschmidt_beak.jpg</image:loc>
      <image:title>AWE Museum Tours - Franz Xaver Messerschmidt, late 1770's</image:title>
      <image:caption>Messerschmidt was a keen disciple of Hermes Trismegistus and claimed that his character heads had aroused the anger of "the Spirit of Proportion"  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.projectawe.org/young-artists</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1403891079961-35CY57YA8VU1LTNZU1Z4/Rembrandt_The_Artist_in_his_studio.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1420161129203-VN0JG576N0CKKKC2OT50/palette.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Advanced portrait workdshop</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1443202301715-FUZNRYXQ10WHJB9X8XIY/getty.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Y.A.P. Museum Visit: drawing from the masters</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1420161118506-B6R52KME6PG3VBA4VJXA/getty+irses.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Y.A.P. Museum Visit: drawing from the masters</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418359447082-ZVE27W2IGU2P927EQF32/pastel+face+arm.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Juliana Mendelsohn, pastel on brown paper, detail, 13 years old student</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1427415420324-ANENHWQHVVH0NOCCRVFX/eye+drawig.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Charcoal workshop</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418517646378-AWKHVCQ80XN671OI4H6V/NIKKA+STUDIO.JPG</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Nikka (5 years old), working with oil paints in Y.A.P. studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418517683780-WTYCYOV7BYQD85B27GLZ/SUNFLOWERS.JPG</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Nikka (5 years old), working on a still life</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1418359441569-1J6SWJRYZUZP4DYUYZT0/Juliana+in+the+studio.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Self portrait workshop</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1475635721737-8BDB11UBPR4L56M1D8TY/image-asset.jpeg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
      <image:caption>Young Artists Program (Y.A.P.) museum guided visit</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1443202094158-ZGUJ8IWBIFJ1VUW6BGW2/getty.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1443202100699-0AOCVFL3WOIDR3RBJRGM/eye.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1443202105544-T6NHH309XDB4ONCB7W4P/studio.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1443202109088-7LV66ACTHD38N7N5HTEH/self.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1447907587070-9WBT1ZFNPF7ZCHV9XHXE/FullSizeRender.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/533347f0e4b00c5095974ea4/1438114764052-BVQMEO8YYN01PX06O8K5/rabbi+hand.jpg</image:loc>
      <image:title>Young Artist Program (Y.A.P.)</image:title>
    </image:image>
    <image:image>
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      <image:title>Young Artist Program (Y.A.P.)</image:title>
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      <image:title>AWE Team - Team on location for AWE TV pilot</image:title>
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    <loc>https://www.projectawe.org/mission-statment</loc>
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    <lastmod>2018-06-29</lastmod>
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</urlset>

